You cannot select more than 25 topics Topics must start with a letter or number, can include dashes ('-') and can be up to 35 characters long.

64 lines
5.1 KiB
Plaintext

eed in realizing . The second is the reality as we experience it by living . Fin
owing also intervene in the observed reality and alter it . Calvino is particula
f either… or… that seems to rule reality . Artworks are places where contrad
atter whether they come as pieces of reality or as products of individual or col
isibility share the same gradient of reality , no matter whether they harmonio
either by only choosing one layer of reality , or by continuously stepping fro
ating as a prism that multiplies the reality it reflects . A space of communic
] attempts to escape the vortex of multiplicity are useless. ” [ 6 ] In his
, he subsequently focuses on [ i ] multiplicity [ i ] as a way for literatur
ore , let s think visibility and multiplicity together , as : a multiplica
the contrary , it is generating a multiplicity of different gazes that are
d and thus incomplete and open . A Multiplicity of Gazes An undecidable ar
cs today , is that they generate a multiplicity of gazes and of forms of s
positions and points of view . The multiplicity of gazes produced and gath
es a radical collectivity based on multiplicity and on conflicting posit
lity and from its encounter with a multiplicity of gazes . Preserving it
ncounter between undecidable art , multiplicity of gazes , and a curator
ibid , p. 98 . 7 . Italo Calvino , Multiplicity , [ i ] Six Memos for
ive works in particular , as the contemporaneity of production , consu
the author is then challenged and responsibility is shared with the au
t Norton poetry lectures at Harvard University . In the last months of
the Next Millennium [ i ] , Harvard University Press , Cambridge 198
searcher Laura Gemini at the Urbino University . 11 . An active grou
r rather for undecidability , as the quality of being undecidable .
In this sense , undecidability is a quality specific to some artw
ure and the intact potentiality of a quality that does not make it
Undecidability Silvia Bottiroli Multiplying the
r the undecidable , or rather for undecidability , as the qualit
al and Potential Worlds In fact , undecidability is a specific f
d actual worlds . In this sense , undecidability is a quality sp
within an art that practices its undecidability . Here , spec
uld trace back to the practice of undecidability , [ i ] Azdor
The kind of collective body that undecidability produces coul
ality . Indeed , as a practice of undecidability , art produce
t forms of visibility within it . Undecidability could then
ng from an art that practices its undecidability and from it
d under certain terms performs the possibility of its actual
cal of performance intensifies the possibility of undecida
ating this feminine figure and the possibility that it sug
and the concert revolve around the possibility of emancipa
produced , [ 10 ] multiplying the possibility to access
nd consequences already opens this possibility and even
e picture , an artistic fantasy , a community theatre wo
orks does not compose itself into a community , as there
ations involve , by the means of the infinity of lingu
ty of linguistic possibilities , the infinity of the a
the artist s imagination , and the infinity of conti
sibility [ i ] , revolves around the capacity of lit
nd by setting the conditions for an intensity that c
. Rather , it generates a radical collectivity base
of undecidability , art produces a collectivity ,
rkness that withholds many forms of visibility wit
lvino s fourth memo , [ 1 ] [ i ] Visibility [ i
. ” [ 7 ] Therefore , let s think visibility and
f producing different conditions of visibility .
where all the images that come into visibility s
order to produce different forms of visibility w
, title . 2 . Italo Calvino , [ i ] Visibility
t further and propose that art s potentiality
potential when it can maintain its potentiality
actual form . In particular , the potentiality
to keep being a sheer , glimmering potentiality
ct the inner nature and the intact potentiality