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<h1 id="firstHeading" class="firstHeading" lang="en">Monoskop</h1>
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<p>Welcome to <a href="https://monoskop.org/About_Monoskop" title="About Monoskop">Monoskop</a>, a wiki for the arts, media and humanities.
</p><p>This page shows a selection of the latest additions to the website. For more detailed listings see the <a rel="nofollow" class="external text" href="https://monoskop.org/log">Log</a>, <a href="https://monoskop.org/Recent" title="Recent">Recent</a>, <a href="https://monoskop.org/Contents" title="Contents">Contents</a> and <a href="https://monoskop.org/Index" title="Index">Index</a> sections. Selected updates are posted on <a rel="nofollow" class="external text" href="https://monoskop.org/log/?feed=rss2">RSS</a>, <a rel="nofollow" class="external text" href="http://twitter.com/monoskop">Twitter</a>, <a rel="nofollow" class="external text" href="http://www.facebook.com/monoskoplog">Facebook</a> and <a rel="nofollow" class="external text" href="http://instagram.com/monoskoporg">Instagram</a>.
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<h2><span class="mw-headline" id="Recent_entries">Recent entries</span></h2>
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<div class="thumb" style="width: 421.001px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Artists_publishing"><img alt="" src="Monoskop4_files/421px-Ono_Yoko_Grapefruit_1964.jpg" decoding="async" data-file-width="1200" data-file-height="898" style="transform: scale(0.9, 300) rotate(22deg);" width="421" height="315"></a></div></div>
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<p><a href="https://monoskop.org/Artists_publishing" title="Artists publishing">Artists' publishing</a>
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<li class="gallerybox" style="width: 329px;"><div style="width: 329px;">
<div class="thumb" style="width: 327px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Anthropocene"><img alt="" src="Monoskop4_files/327px-The_worlds_protected_areas_2015.jpg" decoding="async" data-file-width="1200" data-file-height="1155" style="transform: scale(0.9, 300) rotate(22deg);" width="327" height="315"></a></div></div>
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<p><a href="https://monoskop.org/Anthropocene" title="Anthropocene">Anthropocene</a>
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<li class="gallerybox" style="width: 317px;"><div style="width: 317px;">
<div class="thumb" style="width: 315px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Decolonial_aesthetics"><img alt="" src="Monoskop4_files/315px-Ehlers_Jeannette_2014_Whip_It_Good_photo_Casper_Maare.jpg" decoding="async" data-file-width="1067" data-file-height="1067" style="transform: scale(0.9, 300) rotate(22deg);" width="315" height="315"></a></div></div>
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<p><a href="https://monoskop.org/Decolonial_aesthetics" title="Decolonial aesthetics">Decolonial aesthetics</a>
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<li class="gallerybox" style="width: 474.001px;"><div style="width: 474.001px;">
<div class="thumb" style="width: 472.001px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Shadow_libraries"><img alt="" src="Monoskop4_files/472px-Bibliotecha.jpg" decoding="async" data-file-width="757" data-file-height="506" style="transform: scale(0.9, 300) rotate(22deg);" width="472" height="315"></a></div></div>
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<p><a href="https://monoskop.org/Shadow_libraries" title="Shadow libraries">Shadow libraries</a>
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<li class="gallerybox" style="width: 448px;"><div style="width: 448px;">
<div class="thumb" style="width: 446px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Federated_networks"><img alt="" src="Monoskop4_files/446px-Fediposter_Jan_2020.png" decoding="async" data-file-width="7016" data-file-height="4961" style="transform: scale(0.9, 300) rotate(22deg);" width="445" height="315"></a></div></div>
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<p><a href="https://monoskop.org/Federated_networks" title="Federated networks">Federated networks (Fediverse)</a>
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<li class="gallerybox" style="width: 220px;"><div style="width: 220px;">
<div class="thumb" style="width: 218px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Cyberfeminism"><img alt="" src="Monoskop4_files/218px-Old_Boys_Network_1997_100_Anti-Theses_of_Cyberfeminism.jpg" decoding="async" data-file-width="2507" data-file-height="3616" style="transform: scale(0.9, 300) rotate(22deg);" width="217" height="315"></a></div></div>
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<p><a href="https://monoskop.org/Cyberfeminism" title="Cyberfeminism">Cyberfeminism</a>
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<li class="gallerybox" style="width: 253px;"><div style="width: 253px;">
<div class="thumb" style="width: 251px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Neural_aesthetics"><img alt="" src="Monoskop4_files/251px-Hinton_et_al_2006_p_7.jpg" decoding="async" data-file-width="731" data-file-height="916" style="transform: scale(0.9, 300) rotate(22deg);" width="250" height="315"></a></div></div>
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<p><a href="https://monoskop.org/Neural_aesthetics" title="Neural aesthetics">Neural aesthetics</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 305px;"><div style="width: 305px;">
<div class="thumb" style="width: 303px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Women_in_concrete_poetry"><img alt="" src="Monoskop4_files/303px-Sa_Neide_1968_Transparencia.jpg" decoding="async" data-file-width="984" data-file-height="1024" style="transform: scale(0.9, 300) rotate(22deg);" width="303" height="315"></a></div></div>
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<p><a href="https://monoskop.org/Women_in_concrete_poetry" title="Women in concrete poetry">Women in concrete, visual and sound poetry</a>
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<li class="gallerybox" style="width: 474.001px;"><div style="width: 474.001px;">
<div class="thumb" style="width: 472.001px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Performance_art"><img alt="" src="Monoskop4_files/472px-Ukeles_Mierle_Laderman_1977-1980_Touch_Sanitation_.jpg" decoding="async" data-file-width="850" data-file-height="567" style="transform: scale(0.9, 300) rotate(22deg);" width="472" height="315"></a></div></div>
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<p><a href="https://monoskop.org/Performance_art" title="Performance art">Performance art</a>
</p>
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<li class="gallerybox" style="width: 475px;"><div style="width: 475px;">
<div class="thumb" style="width: 473px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Exhibition_Library"><img alt="" src="Monoskop4_files/473px-Dusan_Barok_and_Monoskop_2018_Exhibition_Library_at_Me.jpg" decoding="async" data-file-width="2000" data-file-height="1333" style="transform: scale(0.9, 300) rotate(22deg);" width="472" height="315"></a></div></div>
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<p><a href="https://monoskop.org/Exhibition_Library" title="Exhibition Library">Exhibition Library</a>
</p>
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</div></li>
<li class="gallerybox" style="width: 487px;"><div style="width: 487px;">
<div class="thumb" style="width: 485px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Art"><img alt="" src="Monoskop4_files/485px-Buren_Mosset_Parmentier_Toroni_1967_Photo-souvenir_Man.jpg" decoding="async" data-file-width="800" data-file-height="520" style="transform: scale(0.9, 300) rotate(22deg);" width="484" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Art" class="mw-redirect" title="Art">Modern and contemporary art</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 318.001px;"><div style="width: 318.001px;">
<div class="thumb" style="width: 316.001px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Magazines"><img alt="" src="Monoskop4_files/316px-MA_8_1_15_Oct_1922_back_cover.jpg" decoding="async" data-file-width="1000" data-file-height="996" style="transform: scale(0.9, 300) rotate(22deg);" width="316" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Magazines" class="mw-redirect" title="Magazines">Avant-garde and modernist magazines</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 562px;"><div style="width: 562px;">
<div class="thumb" style="width: 560px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Ideographies_of_Knowledge"><img alt="" src="Monoskop4_files/560px-IOK2015_3.jpg" decoding="async" data-file-width="852" data-file-height="480" style="transform: scale(0.9, 300) rotate(22deg);" width="559" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Ideographies_of_Knowledge" title="Ideographies of Knowledge">Ideographies of Knowledge</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 227px;"><div style="width: 227px;">
<div class="thumb" style="width: 225px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Software_art"><img alt="" src="Monoskop4_files/225px-0100101110101101.jpg" decoding="async" data-file-width="732" data-file-height="1024" style="transform: scale(0.9, 300) rotate(22deg);" width="225" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Software_art" title="Software art">Software art</a> and <a href="https://monoskop.org/Software_studies" title="Software studies">Software studies</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 443px;"><div style="width: 443px;">
<div class="thumb" style="width: 441px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Expanded_cinema"><img alt="" src="Monoskop4_files/441px-Valie_Export_1967-68_Abstract_Film_No_1.jpg" decoding="async" data-file-width="1089" data-file-height="778" style="transform: scale(0.9, 300) rotate(22deg);" width="441" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Expanded_cinema" title="Expanded cinema">Expanded cinema</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 242px;"><div style="width: 242px;">
<div class="thumb" style="width: 240px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Trisha_Brown"><img alt="" src="Monoskop4_files/240px-Trisha_Brown_Accumulation_1971_1979.jpg" decoding="async" data-file-width="2045" data-file-height="2680" style="transform: scale(0.9, 300) rotate(22deg);" width="240" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Trisha_Brown" title="Trisha Brown">Trisha Brown</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 479px;"><div style="width: 479px;">
<div class="thumb" style="width: 477px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Conceptual_writing"><img alt="" src="Monoskop4_files/477px-Kay_Emma_1999_Worldview.jpg" decoding="async" data-file-width="1536" data-file-height="1014" style="transform: scale(0.9, 300) rotate(22deg);" width="477" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Conceptual_writing" title="Conceptual writing">Conceptual literature</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 311px;"><div style="width: 311px;">
<div class="thumb" style="width: 309px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Architecture"><img alt="" src="Monoskop4_files/309px-Rossi_Aldo_1976_La_citta_analoga.jpg" decoding="async" data-file-width="1569" data-file-height="1600" style="transform: scale(0.9, 300) rotate(22deg);" width="309" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Architecture" title="Architecture">Architecture</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 228.001px;"><div style="width: 228.001px;">
<div class="thumb" style="width: 226.001px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Neoism"><img alt="" src="Monoskop4_files/226px-Neoist_Akademgorod.jpg" decoding="async" data-file-width="806" data-file-height="1124" style="transform: scale(0.9, 300) rotate(22deg);" width="226" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Neoism" title="Neoism">Neoism</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 213.001px;"><div style="width: 213.001px;">
<div class="thumb" style="width: 211.001px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Haraway"><img alt="" src="Monoskop4_files/211px-Donna_Haraway.jpg" decoding="async" data-file-width="235" data-file-height="350" style="transform: scale(0.9, 300) rotate(22deg);" width="211" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Haraway" class="mw-redirect" title="Haraway">Donna Haraway</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 454px;"><div style="width: 454px;">
<div class="thumb" style="width: 452px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Metzger"><img alt="" src="Monoskop4_files/452px-Gustav_Metzger_The_Southbank_Demonstration_London_1961.jpg" decoding="async" data-file-width="1280" data-file-height="893" style="transform: scale(0.9, 300) rotate(22deg);" width="451" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Metzger" class="mw-redirect" title="Metzger">Gustav Metzger</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 491px;"><div style="width: 491px;">
<div class="thumb" style="width: 489px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Sound_art"><img alt="" src="Monoskop4_files/489px-Kircher_Athanasius_Arpa_eolica.jpg" decoding="async" data-file-width="1040" data-file-height="670" style="transform: scale(0.9, 300) rotate(22deg);" width="489" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Sound_art" title="Sound art">Sound art</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 563px;"><div style="width: 563px;">
<div class="thumb" style="width: 561px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Noise"><img alt="" src="Monoskop4_files/561px-Russolo_intonorumori_1913.jpg" decoding="async" data-file-width="850" data-file-height="478" style="transform: scale(0.9, 300) rotate(22deg);" width="561" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Noise" title="Noise">Noise</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 374px;"><div style="width: 374px;">
<div class="thumb" style="width: 372px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Cultural_techniques"><img alt="" src="Monoskop4_files/372px-From_Victor_Turner_The_Ritual_Process_Structure_and_An.jpg" decoding="async" data-file-width="815" data-file-height="691" style="transform: scale(0.9, 300) rotate(22deg);" width="372" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Cultural_techniques" title="Cultural techniques">Cultural techniques</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 243.001px;"><div style="width: 243.001px;">
<div class="thumb" style="width: 241.001px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Cybernetics"><img alt="" src="Monoskop4_files/241px-Vocal_apparatus_and_Voder_ATT_pamphlet.jpg" decoding="async" data-file-width="301" data-file-height="394" style="transform: scale(0.9, 300) rotate(22deg);" width="241" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Cybernetics" title="Cybernetics">Cybernetics</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 213.001px;"><div style="width: 213.001px;">
<div class="thumb" style="width: 211.001px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Kittler"><img alt="" src="Monoskop4_files/211px-Teodoro_Wolf-Ferrari_1912_Poster_for_M1_the_first_Oliv.jpg" decoding="async" data-file-width="1075" data-file-height="1600" style="transform: scale(0.9, 300) rotate(22deg);" width="211" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Kittler" class="mw-redirect" title="Kittler">Friedrich Kittler</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 490px;"><div style="width: 490px;">
<div class="thumb" style="width: 488px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Design_research"><img alt="" src="Monoskop4_files/488px-HfG_Ulm_Metal_workshop_1958.jpg" decoding="async" data-file-width="1024" data-file-height="661" style="transform: scale(0.9, 300) rotate(22deg);" width="487" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Design_research" title="Design research">Design research</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 443px;"><div style="width: 443px;">
<div class="thumb" style="width: 441px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Constructivism"><img alt="" src="Monoskop4_files/441px-Second_Spring_Exhibition_of_OBMOKhU_Moscow_May-June_19.jpg" decoding="async" data-file-width="2000" data-file-height="1430" style="transform: scale(0.9, 300) rotate(22deg);" width="441" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Constructivism" title="Constructivism">Constructivism</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 241px;"><div style="width: 241px;">
<div class="thumb" style="width: 239px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Lissitzky"><img alt="" src="Monoskop4_files/239px-Lissitzky_El_1924_Proun_99.jpg" decoding="async" data-file-width="1455" data-file-height="1920" style="transform: scale(0.9, 300) rotate(22deg);" width="238" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Lissitzky" class="mw-redirect" title="Lissitzky">El Lissitzky</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 246.001px;"><div style="width: 246.001px;">
<div class="thumb" style="width: 244.001px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Russia#Avant-garde"><img alt="" src="Monoskop4_files/244px-Punin_Nikolay_Pamyatnik_III_internatsionala.jpg" decoding="async" data-file-width="4500" data-file-height="5811" style="transform: scale(0.9, 300) rotate(22deg);" width="244" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Russia#Avant-garde" title="Russia">Russian avant-garde</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 227px;"><div style="width: 227px;">
<div class="thumb" style="width: 225px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Bauhaus"><img alt="" src="Monoskop4_files/225px-Bauhaus_2-1_1928.jpg" decoding="async" data-file-width="1500" data-file-height="2103" style="transform: scale(0.9, 300) rotate(22deg);" width="225" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Bauhaus" title="Bauhaus">BAUHAUS</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 251px;"><div style="width: 251px;">
<div class="thumb" style="width: 249px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Cubism"><img alt="" src="Monoskop4_files/249px-Picasso_Pablo_1913_Photographic_composition_with_Const.jpg" decoding="async" data-file-width="2000" data-file-height="2533" style="transform: scale(0.9, 300) rotate(22deg);" width="249" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Cubism" title="Cubism">Cubism</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 228.001px;"><div style="width: 228.001px;">
<div class="thumb" style="width: 226.001px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Moholy-Nagy"><img alt="" src="Monoskop4_files/226px-Moholy-Nagy_Laszlo_1930_Light-Space_Modulator_2.jpg" decoding="async" data-file-width="2071" data-file-height="2880" style="transform: scale(0.9, 300) rotate(22deg);" width="226" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Moholy-Nagy" class="mw-redirect" title="Moholy-Nagy">László Moholy-Nagy</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 537.001px;"><div style="width: 537.001px;">
<div class="thumb" style="width: 535.001px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Experimental_film"><img alt="" src="Monoskop4_files/535px-Marey_1894_Falling_cat.jpg" decoding="async" data-file-width="1251" data-file-height="737" style="transform: scale(0.9, 300) rotate(22deg);" width="535" height="315"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Experimental_film" title="Experimental film">Experimental film</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 266px;"><div style="width: 266px;">
<div class="thumb" style="width: 264px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Vertov"><img alt="" src="Monoskop4_files/396px-Vertov_Dziga_1929_Man_with_a_Movie_Camera_still_2.jpg" decoding="async" data-file-width="1877" data-file-height="1495" style="transform: scale(0.9, 300) rotate(22deg);" width="264" height="210"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Vertov" class="mw-redirect" title="Vertov">Dziga Vertov</a>
</p>
</div>
</div></li>
<li class="gallerybox" style="width: 235.333px;"><div style="width: 235.333px;">
<div class="thumb" style="width: 233.333px;"><div style="margin:0px auto;"><a href="https://monoskop.org/Index"><img alt="" src="Monoskop4_files/350px-Comenius_1705_Orbis_Pictus_index_page.jpg" decoding="async" data-file-width="827" data-file-height="744" style="transform: scale(0.9, 300) rotate(22deg);" width="233" height="210"></a></div></div>
<div class="gallerytext">
<p><a href="https://monoskop.org/Index" title="Index">Monoskop Index</a>
</p>
</div>
</div></li>
</ul>
<h2><span class="mw-headline" id="Monoskop_Log">Monoskop Log</span></h2>
<div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3; font-size: .9em; width: 850px">
<div class="mw-parser-output"><p><b><a rel="nofollow" class="external text" href="https://monoskop.org/log/?p=22201">Vertical Thoughts: Morton Feldman and the Visual Arts (2010)</a></b>
</p>
<dl><dd><div class="thumb tright"><img src="Monoskop4_files/Vertical_Thoughts_Morton_Feldman_and_the_Visual_Arts_2010.jpg" style="transform: scale(0.9, 300) rotate(22deg);" width="250"><p class="mw-empty-elt"></p>
<p>“If any music can be said to be painterly, it is that of Morton
Feldman (1926-1987), one of the most influential composers of the
twentieth century. Feldman (1926-1987) was deeply immersed in the milieu
of New York Abstract Expressionism, and found analogies in sound to the
materiality of Pollock, the gravitas of Rothko and the hesitant,
venturing brushstrokes of Guston. Taking as its departure point an
exhibition Feldman curated in 1967 titled <i>Six Painters</i>, <i>Vertical Thoughts</i>
considers the impact that postwar American art had on Feldmans own
compositions. It features works by the titular six paintersGuston,
Kline, Mondrian, de Kooning, Pollock and Rothkoand by other artists
whom Feldman admired, such as Kitaj, Rauschenberg and Twombly. Also
reproduced are works from Feldmans own collection, including his Middle
Eastern and Asian rugs, archival photographs and ephemera, musical
scores and record covers of compositions dedicated to artists such as
Guston and Rothko, and interviews with and writings by Feldman himself.”</p>
<p>Text by Brian ODoherty, Francesco Pellizzi, Dore Ashton, Juan Manuel Bonet.</p>
<p>Edited by Seán Kissane<br>
Publisher Irish Museum of Modern Art, Dublin, 2010<br>
ISBN 9781907020087, 190702008X<br>
319 pages</p>
<p><a href="https://imma.ie/whats-on/vertical-thoughts-morton-feldman-and-the-visual-arts/">Exhibition</a><br>
<a href="http://worldcat.org/oclc/611960494">WorldCat</a></p>
<p><a href="https://portal.rcs.ac.uk/mdonohue/wp-content/uploads/sites/261/2017/02/Vertical_thoughts-morton-feldman.pdf">PDF</a>, <a href="https://monoskop.org/images/f/f8/Vertical_Thoughts_Morton_Feldman_and_the_Visual_Arts_2010.pdf">PDF</a></p></div></dd></dl>
<p><b><a rel="nofollow" class="external text" href="https://monoskop.org/log/?p=22191">Elvia Wilk: Oval (2019)</a></b>
</p>
<dl><dd><div class="thumb tright"><img src="Monoskop4_files/9781593764340.jpg" style="transform: scale(0.9, 300) rotate(22deg);" width="250"><p class="mw-empty-elt"></p>
<p>“In the near future, Berlins real estate is being flipped in the
name of “sustainability,” only to make the city even more unaffordable;
artists are employed by corporations as consultants, and the weather is
acting strange. When Anja and Louis are offered a rent-free home on an
artificial mountainyet another eco-friendly initiative run by a
corporationthey seize the opportunity, but it isnt long before the
experimental house begins malfunctioning.</p>
<p>After Louiss mother dies, Anja is convinced he has changed. At work,
Louis has become obsessed with a secret project: a pill called Oval
that temporarily rewires the users brain to be more generous. While
Anja is horrified, Louis believes he has found the solution to Berlins
income inequality. Oval is a fascinating portrait of the unbalanced
relationships that shape our world, as well as a prescient warning of
what the future may hold.”</p>
<p>Publisher Soft Skull, New York, 2019<br>
ISBN 9781593764050, 1593764057<br>
pages</p>
<p>Reviews: <a href="https://www.newyorker.com/books/page-turner/in-elvia-wilks-oval-earth-capitalism-and-the-human-species-sink-toward-doom">Katy Waldman</a> (New Yorker, 2019), <a href="https://hyperallergic.com/520109/oval-by-elvia-wilk-soft-skull-press/">Angelica Frey</a> (Hyperallergic, 2019), <a href="https://lareviewofbooks.org/article/trading-in-the-emotional-economy-on-elvia-wilks-oval/">Michael Friedrich</a> (LA Review of Books, 2019), <a href="https://www.npr.org/2019/06/07/730610995/">Jason Sheehan</a> (NPR, 2019), <a href="https://brooklynrail.org/2019/07/books/Oval-by-Elvia-Wilk">Yvonne C. Garrett</a> (Brooklyn Rail, 2019), <a href="http://www.full-stop.net/2019/08/23/reviews/will-preston/oval-elvia-wilk/">Will Preston</a> (Full Stop, 2019), <a href="https://www.thenation.com/article/archive/oval-elvia-wilk-debut-novel-berlin-book-review/">Alex Ronan</a> (Nation, 2019), <a href="https://cmagazine.com/issues/144/elvia-wilk-oval">Stan Portus</a> (C Magazine, 2020).</p>
<p><a href="https://softskull.com/dd-product/oval/">Publisher</a><br>
<a href="http://worldcat.org/oclc/1105977356">WorldCat</a></p>
<p><a href="https://monoskop.org/media/text/wilk_2019_oval/">HTML</a></p></div></dd></dl>
<p><b><a rel="nofollow" class="external text" href="https://monoskop.org/log/?p=22188">McKenzie Wark: Reverse Cowgirl (2020)</a></b>
</p>
<dl><dd><div class="thumb tright"><img src="Monoskop4_files/Wark_McKenzie_Reverse_Cowgirl_2020.jpg" style="transform: scale(0.9, 300) rotate(22deg);" width="250"><p class="mw-empty-elt"></p>
<p>“Another genre for another gender.</p>
<p>What if you were trans and didnt know it? What if there were some
hole in your life and you didnt even know it was there? What if you
went through life not knowing why you only felt at home in your body at
peak moments of drugs and sex? What if you expended your days avoiding
an absence, a hole in being? Reverse Cowgirl is not exactly a memoir.
The author doesnt, in the end, have any answers as to who she really is
or was, although maybe she figures out what she could become.</p>
<p>Traveling from Sydney in the 1980s to New York today, <i>Reverse Cowgirl</i>
is a comedy of errors, chronicling the authors failed attempts at
being gay and at being straight across the shifting political and media
landscapes of the late twentieth century. Finding that the established
narratives of being transgender dont seem to apply to her, Wark borrows
from the genres of autofiction, fictocriticism, and new narrative to
create a writing practice that can discover the form of a life outside
existing accounts of trans experience: an auto-ethnography of the
opacity of the self.”</p>
<p>Publisher Semiotext(e), South Pasadena, CA, 2020<br>
Native Agents series<br>
ISBN 9781635901184, 1635901189<br>
199 pages</p>
<p>Interviews with author: <a href="https://bombmagazine.org/articles/mckenzie-wark/">Mattilda Bernstein Sycamore</a> (BOMB, 2020), <a href="https://frieze.com/article/mckenzie-wark-future-trans-literature">Juliet Jacques</a> (Frieze, 2020).</p>
<p><a href="https://mitpress.mit.edu/books/reverse-cowgirl">Distributor</a><br>
<a href="http://worldcat.org/oclc/1119499616">WorldCat</a></p>
<p><a href="https://monoskop.org/images/b/b7/Wark_McKenzie_Reverse_Cowgirl_2020.pdf">PDF</a></p></div></dd></dl>
<p><b><a rel="nofollow" class="external text" href="https://monoskop.org/log/?p=22167">Vladan Joler, Matteo Pasquinelli: The Nooscope Manifested: AI as Instrument of Knowledge Extractivism (2020)</a></b>
</p>
<dl><dd><p><a href="https://monoskop.org/images/6/6b/Joler_Vladan_Pasquinelli_Matteo_2020_Nooscope.jpg"><img src="Monoskop4_files/Joler_Vladan_Pasquinelli_Matteo_2020_Nooscope.jpg" style="transform: scale(0.9, 300) rotate(22deg);" width="250" border="0"></a></p>
<p>“The Nooscope is a cartography of the limits of artificial
intelligence, intended as a provocation to both computer science and the
humanities. Any map is a partial perspective, a way to provoke debate.
Similarly, this map is a manifesto — of AI dissidents.”</p>
<p>“The Nooscope is a visual manifesto of AI as instrument of knowledge
extractivism. The Nooscope is also an experiment in academic publication
and critical tools for AI studies. The large diagram and the essay can
be browsed online or downloaded in PDF format and printed on a large
scale.”</p>
<p>Publisher KIM research group, Karlsruhe University of Arts and Design, Karlsruhe, and Share Lab, Novi Sad, 1 May 2020<br>
Open access</p>
<p><a href="https://nooscope.ai/">Diagram &amp; Essay HTML</a><br>
<a href="https://monoskop.org/images/5/58/Joler_Vladan_Pasquinelli_Matteo_2020_Nooscope.pdf">Diagram PDF</a><br>
<a href="https://monoskop.org/images/c/ca/Pasquinelli_Matteo_Joler_Vladan_2020_The_Nooscope_Manifested_AI_as_Instrument_of_Knowledge_Extractivism.pdf">Essay PDF</a></p></dd></dl>
<p><b><a rel="nofollow" class="external text" href="https://monoskop.org/log/?p=22156">Jennifer Iverson: Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde (2018)</a></b>
</p>
<dl><dd><div class="thumb tright"><img src="Monoskop4_files/Iverson_Jennifer_Electronic_Inspirations_Technologies_of_the.jpg" style="transform: scale(0.9, 300) rotate(22deg);" width="250"><p class="mw-empty-elt"></p>
<p>“Cold War electronic music—made with sine tone and white-noise
generators, filters, and magnetic tape—was the driving force behind the
evolution of both electronic and acoustic music in the second half of
the twentieth century. Electronic music blossomed at the Westdeutscher
Rundfunk (WDR [West German Radio]) in Cologne in the 1950s, when
technologies were plentiful and the need for cultural healing was great.
Building an electronic studio, West Germany confronted the decimation
of the “Zero Hour” and began to rebuild its cultural prowess. The
studios greatest asset was its laboratory culture, where composers
worked under a paradigm of invisible collaboration with technicians,
scientists, performers, intellectuals, and the machines themselves.
Composers and their invisible collaborators repurposed military
machinery in studio spaces that were formerly fascist broadcasting
propaganda centers. Composers of Cold War electronic music
reappropriated information theory and experimental phonetics, creating
aesthetic applications from military discourses. In performing such
reclamations, electronic music optimistically signaled cultural growth
and progress, even as it also sonified technophobic anxieties.
Electronic music—a synthesis of technological, scientific, and aesthetic
discourses—was the ultimate Cold War innovation, and its impacts
reverberate today.”</p>
<p>Publisher Oxford University Press, New York, 2018<br>
The New Cultural History of Music series<br>
ISBN 9780190868192, 0190868198<br>
xi+303 pages</p>
<p>Reviews: <a href="https://www.esm.rochester.edu/integral/33-2019/33-vagnerova/">Lucie Vágnerová</a> (Integral, 2019), <a href="https://currentmusicology.columbia.edu/article/iverson-jennifer-2018-electronic-inspirations-technologies-of-the-cold-war-musical-avant-garde-new-york-oxford-university-press/">Ted Gordon</a> (Current Musicology, 2019), <a href="https://sci-hub.tw/https://academic.oup.com/ml/article-abstract/100/4/749/5818913">James Davis</a> (Music &amp; Letters, 2019), <a href="https://sci-hub.tw/10.1080/20551940.2020.1711497">Maurice Windleburn</a> (Sound Studies, 2020).</p>
<p><a href="https://global.oup.com/academic/product/electronic-inspirations-9780190868192">Publisher</a><br>
<a href="http://worldcat.org/oclc/1103605339">WorldCat</a></p>
<p><a href="http://outernationale.memoryoftheworld.org/Jennifer%20Iverson/Electronic%20Inspirations_%20Technologi%20(7113)/Electronic%20Inspirations_%20Techno%20-%20Jennifer%20Iverson.pdf">PDF</a> (32 MB)</p></div></dd></dl>
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