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66 lines
5.4 KiB
HTML
66 lines
5.4 KiB
HTML
4 years ago
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<!DOCTYPE html>
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<html>
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<head>
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<meta charset="utf-8">
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<title>wb</title>
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<script type="text/javascript" src="../scripts/jquery/jquery-1.12.4.js"></script>
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<script type="text/javascript" src="../scripts/popup.js"></script>
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<link rel="stylesheet" type="text/css" href="../styles/terminal.css">
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</head>
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<body>
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<audio preload="auto" id="sound-1" src="../media/sounds/Bottoni/1.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-2" src="../media/sounds/Bottoni/2.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-3" src="../media/sounds/Bottoni/3.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-4" src="../media/sounds/Bottoni/4.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-5" src="../media/sounds/Bottoni/5.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-6" src="../media/sounds/Bottoni/6.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-7" src="../media/sounds/Bottoni/7.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-8" src="../media/sounds/Bottoni/8.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-9" src="../media/sounds/Bottoni/9.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-10" src="../media/sounds/Bottoni/10.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-11" src="../media/sounds/Bottoni/11.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-12" src="../media/sounds/Bottoni/12.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-13" src="../media/sounds/Bottoni/13.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-14" src="../media/sounds/Bottoni/14.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-15" src="../media/sounds/Bottoni/15.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-16" src="../media/sounds/Bottoni/16.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-17" src="../media/sounds/Bottoni/17.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-18" src="../media/sounds/Bottoni/18.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-19" src="../media/sounds/Bottoni/19.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-20" src="../media/sounds/Bottoni/20.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-21" src="../media/sounds/Bottoni/21.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-22" src="../media/sounds/Bottoni/22.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-23" src="../media/sounds/Bottoni/23.wav" type="audio/wav"> ... src & fallback ... </audio>
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<audio preload="auto" id="sound-24" src="../media/sounds/Bottoni/24.wav" type="audio/wav"> ... src & fallback ... </audio>
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<div><span id="xnili">@ilinx</span>:<span id="tilde">~</span>$ <b>William Burroughs</b><br>
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The American novelist, occultist, drug addict and primary figure of the Beat Generation, William S. Burroughs II (1914 - 1997), represents the breaking point in a story not yet clear at all. 'Sensitive informations' published by the non-exsistent CCRU, a spin-off of the <a class="home" href="./mvu.html">MVU</a>, seems to indicate Burroughs involvement in an occult <a class="home" href="./mvu.html">time war</a>, which would explain the 'paranoid-chronomaniac hallucination' appearing in his late wiritings. The information described in CCRU's publications trace back an initial meeting which occurred in 1958 at the private library of <a class="home" href="./pv.html">Peter Vysparov</a> in Paris, where, because of his evident interest in the convergence of sorcery, dreams and fiction, Burroughs was invited. However, cryptical events outlined as 'paranormal phenomena', would have triggered Burroughs in experiencing a paradoxical time experience. After this event a radical shift happened in Burroughs practice. His new approach was characterized by the use of cut-up techniques meant to develope theories intertwining virology, language and control with an increasing paranoia and mystical hallucinations of time disgregation, turning his well established practice into a ghetto of literary experimentation.<br><br>
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<div style="text-align:center;">
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<a class="home blink_me" href="#" onclick="next('../Ixse')">HyperV</a>
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</div>
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Selected articles:
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<ul>
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<li><i><a class="home" href="../media/pdfs/Ah_Pook_is_Here.pdf" onclick="ppp(this, 'apih', '1000', '1000','2000','0')" target="apih">Ah Pook is Here</a></i></li><br>
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<li><i><a class="home" href="https://www.cs.cmu.edu/afs/cs.cmu.edu/user/ehn/Web/release/BurroughsLetter.html" onclick="ppp(this, 'mad', '1000', '1000','2000','0')" target="mad">Letter From A Master Addict To Dangerous Drugs</a></i></li>
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</ul>
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