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<div class="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink" ><a href="images/carson-extract.jpg" target="_blank"><img src="images/carson-extract.jpg" width="550px" /></a><div class="tooltip-content-right" style="min-width: 40% !important;" ><div>Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142</div></div></div></div>
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<div class="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink" ><a href="images/fresh1.jpg" target="_blank"><img src="images/fresh1.jpg" width="600px" /></a><div class="tooltip-content-right" style="min-width: 40% !important;" ><div>Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019)</div></div></div></div>
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<div class="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink" ><a href="images/fresh2.jpg" target="_blank"><img src="images/fresh2.jpg" width="600px" /></a><div class="tooltip-content-right" style="min-width: 40% !important;" ><div>Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019)</div></div></div></div>
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<div class="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink" ><a href="images/volkskrant-00.jpg" target="_blank"><img src="images/volkskrant-00.jpg" width="600px" /></a><div class="tooltip-content-right" style="min-width: 40% !important;" ><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019)</div></div></div></div>
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<div class="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink" ><a href="images/volkskrant-01.jpg" target="_blank"><img src="images/volkskrant-01.jpg" width="600px" /></a><div class="tooltip-content-right" style="min-width: 40% !important;" ><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019)</div></div></div></div>
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<div class="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink" ><a href="images/volkskrant-02.jpg" target="_blank"><img src="images/volkskrant-02.jpg" width="600px" /></a><div class="tooltip-content-right" style="min-width: 40% !important;" ><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019)</div></div></div></div>
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<div class="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink" ><a href="images/volkskrant-03.jpg" target="_blank"><img src="images/volkskrant-03.jpg" width="600px" /></a><div class="tooltip-content-right" style="min-width: 40% !important;" ><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019)</div></div></div></div>
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<div class="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink" ><a href="images/extracts-leeszaal-20190606.jpg" target="_blank"><img src="images/extracts-leeszaal-20190606.jpg" width="600px" /></a><div class="tooltip-content-right" style="min-width: 40% !important;" ><div>Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019) + ANNOTATIONS</div></div></div></div>
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<div class="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink" ><a href="images/extracts-leeszaal-20190606-2.jpg" target="_blank"><img src="images/extracts-leeszaal-20190606-2.jpg" width="600px" /></a><div class="tooltip-content-right" style="min-width: 40% !important;" ><div>Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142 + ANNOTATIONS</div></div></div></div>
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<div class="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink" ><a href="images/extracts-20190620-2.jpg" target="_blank"><img src="images/extracts-20190620-2.jpg" width="600px" /></a><div class="tooltip-content-right" style="min-width: 40% !important;" ><div>Hollak, R. (no date) Hoe lastig het is om als vrouw je boosheid te uiten, NRC. Available at: https://www.nrc.nl/nieuws/2019/02/22/hoe-lastig-het-is-om-als-vrouw-je-boosheid-te-uiten-a3655079 (Accessed: 4 July 2019)</div></div></div></div>
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<div class="draggable ui-draggable-handle group_extracts pile0"><div class="tooltip-wrap no-pink" ><a href="images/extracts-20190620-1.jpg" target="_blank"><img src="images/extracts-20190620-1.jpg" width="600px" /></a><div class="tooltip-content-right" style="min-width: 40% !important;" ><div>Hollak, R. (no date) Hoe lastig het is om als vrouw je boosheid te uiten, NRC. Available at: https://www.nrc.nl/nieuws/2019/02/22/hoe-lastig-het-is-om-als-vrouw-je-boosheid-te-uiten-a3655079 (Accessed: 4 July 2019)</div></div></div></div>
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<!-- metadata for each workshop -->
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<div class="draggable scaleable-wrapper box_metadata group_metadata pile1">
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<h2>Workshop 1</h2>
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<li>Actions:</li>
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<ul>
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<li>Reading <span class="tooltip-wrap">extracts <span class="tooltip-content-right">
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1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br />
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2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
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</li>
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<li>Discussion on public voice</li>
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<li>Warming up</li>
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<li>Transcribing the vowels of each other's sentences</li>
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<li>Reading back the vowels</li>
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<li>Reading outloud all together the score of vowels</li>
|
|
|
</ul>
|
|
|
<li>Equipment: </li>
|
|
|
<ul>
|
|
|
<li>Printed extracts</li>
|
|
|
<li>Audio recorder</li>
|
|
|
<li>Paper + pens</li>
|
|
|
</ul>
|
|
|
<li>Outcome:</li>
|
|
|
<ul>
|
|
|
<li>Audio recordings of the actions</li>
|
|
|
<li>Handwritten score of vowels</li>
|
|
|
</ul>
|
|
|
<li>Date: 28/3/2019</li>
|
|
|
<li>Location: Leeszaal, Rotterdam</li>
|
|
|
</div>
|
|
|
|
|
|
<div class="draggable scaleable-wrapper box_metadata group_metadata pile2"><h2>Workshop 2</h2>
|
|
|
<li>Actions:</li>
|
|
|
<ul>
|
|
|
<li>Reading <span class="tooltip-wrap">extracts <span class="tooltip-content-right">
|
|
|
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br />
|
|
|
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
|
|
|
</li>
|
|
|
<li>Discussion on public voice</li>
|
|
|
<li>Warming up</li>
|
|
|
<li>Transcribing the vowels of each other's sentences</li>
|
|
|
<li>Reading back the vowels</li>
|
|
|
<li>Reading outloud all together the score of vowels</li>
|
|
|
<li>Reading outloud all together the score of vowels in high-pitch</li>
|
|
|
</ul>
|
|
|
<li>Equipment: </li>
|
|
|
<ul>
|
|
|
<li>Printed extracts</li>
|
|
|
<li>Audio recorder</li>
|
|
|
<li>Paper + pens</li>
|
|
|
</ul>
|
|
|
<li>Outcome:</li>
|
|
|
<ul>
|
|
|
<li>Audio recordings of the actions</li>
|
|
|
<li>Handwritten score of vowels</li>
|
|
|
</ul>
|
|
|
<li>Date: 29/3/2019</li>
|
|
|
<li>Location: Fine Arts/KDH, Rotterdam</li>
|
|
|
</div>
|
|
|
|
|
|
<div class="draggable scaleable-wrapper box_metadata group_metadata pile3"><h2>Workshop 3</h2>
|
|
|
<li>Actions:</li>
|
|
|
<ul>
|
|
|
<li>Reading <span class="tooltip-wrap">extracts <span class="tooltip-content-right">
|
|
|
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br />
|
|
|
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
|
|
|
</li>
|
|
|
<li>Discussion on public voice</li>
|
|
|
<li>Warming up</li>
|
|
|
<li>Transcribing the vowels of each other's sentences</li>
|
|
|
<li>Reading outloud all together back the vowels for each person</li>
|
|
|
</ul>
|
|
|
<li>Equipment: </li>
|
|
|
<ul>
|
|
|
<li>Printed extracts</li>
|
|
|
<li>Audio recorder</li>
|
|
|
<li>Paper + pens</li>
|
|
|
</ul>
|
|
|
<li>Outcome:</li>
|
|
|
<ul>
|
|
|
<li>Audio recordings of the actions</li>
|
|
|
<li>Handwritten scores of vowels</li>
|
|
|
</ul>
|
|
|
<li>Date: 8/5/2019</li>
|
|
|
<li>Location: Leeszaal, Rotterdam</li>
|
|
|
</div>
|
|
|
|
|
|
<div class="draggable scaleable-wrapper box_metadata group_metadata pile4"><h2>Workshop 4</h2>
|
|
|
<li>Actions:</li>
|
|
|
<ul>
|
|
|
<li>Reading <span class="tooltip-wrap">extracts <span class="tooltip-content-right">
|
|
|
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br />
|
|
|
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
|
|
|
</li>
|
|
|
<li>Discussion on public voice</li>
|
|
|
<li>Warming up</li>
|
|
|
<li>Transcribing the vowels of each other's sentences</li>
|
|
|
<li>Reading back the vowels</li>
|
|
|
<li>Reading outloud all together the score of vowels</li>
|
|
|
<li>Speaking about personal experiences</li>
|
|
|
<li>Listen back our <span class="tooltip-wrap">distorted voices<span class="tooltip-content-right">The voices were electronically distorted from female to male (high-pitch to low-pitch) with a bash script<br />
|
|
|
<pre>
|
|
|
#!/bin/bash
|
|
|
today=$(date +%Y%m%d-%H%M);
|
|
|
output=${1:-distort}
|
|
|
arecord -Dpulse -f cd normal_$today.wav
|
|
|
rubberband -t 1.5 -p -5.5 normal_$today.wav ${output}_$today.wav
|
|
|
mkdir -p "normal"
|
|
|
mv -v normal_$today.wav normal/normal_$today.wav;
|
|
|
</pre>
|
|
|
</span></span>
|
|
|
</li>
|
|
|
</ul>
|
|
|
<li>Equipment: </li>
|
|
|
<ul>
|
|
|
<li>Printed extracts</li>
|
|
|
<li>Audio recorder</li>
|
|
|
<li>Paper + pens</li>
|
|
|
<li>Microphone</li>
|
|
|
<li>Small speaker</li>
|
|
|
</ul>
|
|
|
<li>Outcome:</li>
|
|
|
<ul>
|
|
|
<li>Audio recordings of the actions</li>
|
|
|
<li>Video recordings of the actions</li>
|
|
|
<li>Handwritten score of vowels</li>
|
|
|
</ul>
|
|
|
<li>Date: 23/5/2019</li>
|
|
|
<li>Location: outside of Leeszaal, Rotterdam</li>
|
|
|
</div>
|
|
|
|
|
|
<div class="draggable scaleable-wrapper box_metadata group_metadata pile5"><h2>Workshop 5</h2>
|
|
|
<li>Actions:</li>
|
|
|
<ul>
|
|
|
<li>Reading <span class="tooltip-wrap">extracts <span class="tooltip-content-right">
|
|
|
1. Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).<br />
|
|
|
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
|
|
|
</li>
|
|
|
<li>Discussion on public voice</li>
|
|
|
<li>Warming up</li>
|
|
|
<li>Transcribing the vowels of each other's sentences</li>
|
|
|
<li>Reading back the vowels</li>
|
|
|
<li>Reading outloud all together the score of vowels</li>
|
|
|
<li>Speaking like "men"</li>
|
|
|
<li>Listen back our <span class="tooltip-wrap">distorted voices<span class="tooltip-content-right">The voices were electronically distorted from female to male (high-pitch to low-pitch) with a bash script and vice versa<br />
|
|
|
<pre>
|
|
|
#!/bin/bash
|
|
|
today=$(date +%Y%m%d-%H%M);
|
|
|
output=${1:-distort}
|
|
|
arecord -Dpulse -f cd normal_$today.wav
|
|
|
rubberband -t 1.5 -p -5.5 normal_$today.wav ${output}_$today.wav
|
|
|
mkdir -p "normal"
|
|
|
mv -v normal_$today.wav normal/normal_$today.wav;
|
|
|
</pre><br />
|
|
|
<pre>
|
|
|
#!/bin/bash
|
|
|
today=$(date +%Y%m%d-%H%M)
|
|
|
output=${1:-distort}
|
|
|
arecord -Dpulse -f cd normal_$today.wav
|
|
|
rubberband -t 1.5 -p 3.0 normal_$today.wav ${output}_$today.wav
|
|
|
mkdir -p "storage"
|
|
|
mv -v normal_$today.wav storage/
|
|
|
ffmpeg -i ${output}_$today.wav -vn -ar 44100 -ac 2 -ab 192k -f mp3 ${output}_$today.mp3
|
|
|
mv -v ${output}_$today.wav storage/
|
|
|
</pre>
|
|
|
</span></span>
|
|
|
</li>
|
|
|
</ul>
|
|
|
<li>Equipment: </li>
|
|
|
<ul>
|
|
|
<li>Printed extracts</li>
|
|
|
<li>Audio recorder</li>
|
|
|
<li>Paper + pens</li>
|
|
|
<li>Microphone</li>
|
|
|
<li>Small speaker</li>
|
|
|
<li>Food + coffee</li>
|
|
|
</ul>
|
|
|
<li>Outcome:</li>
|
|
|
<ul>
|
|
|
<li>Audio recordings of the actions</li>
|
|
|
<li>Video recordings of the actions</li>
|
|
|
<li>Handwritten score of vowels</li>
|
|
|
</ul>
|
|
|
<li>Date: 30/5/2019</li>
|
|
|
<li>Location: Leeszaal, Rotterdam</li>
|
|
|
<li>Other: Part of <span class="tooltip-wrap">Women@Art<span class="tooltip-content-right">A series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal</span></span><li>
|
|
|
</div>
|
|
|
|
|
|
<div class="draggable scaleable-wrapper box_metadata group_metadata pile6"><h2>Workshop 6</h2>
|
|
|
<li>Actions:</li>
|
|
|
<ul>
|
|
|
<li>Reading <span class="tooltip-wrap">extracts <span class="tooltip-content-right">
|
|
|
1. Vries, J. de (2016) ‘Mannen zijn stevige debaters, vrouwen kijvende wijven’, de Volkskrant. Available at: https://www.volkskrant.nl/gs-be7ace6e (Accessed: 10 June 2019).<br />
|
|
|
2. Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.</span></span>in random order
|
|
|
</li>
|
|
|
<li>Discussion on public voice</li>
|
|
|
<li>Discussion on voice's pitch</li>
|
|
|
<li>Discussion based on a <span class="tooltip-wrap">list of questions <span class="tooltip-content-right">
|
|
|
<pre>
|
|
|
Have you ever had to change your voice in order to be heard? Have you consciously done that?
|
|
|
In what spaces and occasions?
|
|
|
Have you ever being judged for your voice?
|
|
|
When do you feel the (quality of) voice communicates uncertainty?
|
|
|
What are the connotations you make when you think of voice as a metaphor (´one voice´, ´womans voice´,´world voices´)
|
|
|
How would you describe your voice? (or somebody elses)
|
|
|
</pre>
|
|
|
</li>
|
|
|
<li>Warming up</li>
|
|
|
</ul>
|
|
|
<li>Equipment: </li>
|
|
|
<ul>
|
|
|
<li>Printed extracts</li>
|
|
|
<li>Audio recorder</li>
|
|
|
<li>Paper + pens</li>
|
|
|
<li>Microphone</li>
|
|
|
<li>Small speaker</li>
|
|
|
<li>Food + coffee</li>
|
|
|
</ul>
|
|
|
<li>Outcome:</li>
|
|
|
<ul>
|
|
|
<li>Audio recordings of the actions</li>
|
|
|
<li>Video recordings of the actions</li>
|
|
|
<li>Handwritten score of vowels</li>
|
|
|
</ul>
|
|
|
<li>Date: 6/6/2019</li>
|
|
|
<li>Location: Leeszaal, Rotterdam</li>
|
|
|
<li>Other: Part of <span class="tooltip-wrap">Women@Art<span class="tooltip-content-right">A series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal</span></span><li>
|
|
|
</div>
|
|
|
|
|
|
|
|
|
<div class="draggable scaleable-wrapper box_metadata group_metadata pile7"><h2>Workshop 7</h2>
|
|
|
<li>Actions:</li>
|
|
|
<ul>
|
|
|
<li>Warming up</li>
|
|
|
<li>Discussion on male voice and ways of expression</li>
|
|
|
<li>Playing roles of figures with different voices than ours</li>
|
|
|
</ul>
|
|
|
<li>Equipment: </li>
|
|
|
<ul>
|
|
|
<li>Audio recorder</li>
|
|
|
<li>Paper + pens</li>
|
|
|
<li>Food + coffee</li>
|
|
|
</ul>
|
|
|
<li>Outcome:</li>
|
|
|
<ul>
|
|
|
<li>Audio recordings of the actions</li>
|
|
|
</ul>
|
|
|
<li>Date: 13/6/2019</li>
|
|
|
<li>Location: Private space next to Leeszaal, Rotterdam</li>
|
|
|
<li>Other: Part of <span class="tooltip-wrap">Women@Art<span class="tooltip-content-right">A series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal</span></span><li>
|
|
|
</div>
|
|
|
|
|
|
<div class="draggable scaleable-wrapper box_metadata group_metadata pile8"><h2>Workshop 8</h2>
|
|
|
<li>Actions:</li>
|
|
|
<ul>
|
|
|
<li>Warming up</li>
|
|
|
<li>Reading <span class="tooltip-wrap">extracts <span class="tooltip-content-right">
|
|
|
Hollak, R. (no date) Hoe lastig het is om als vrouw je boosheid te uiten, NRC. Available at: https://www.nrc.nl/nieuws/2019/02/22/hoe-lastig-het-is-om-als-vrouw-je-boosheid-te-uiten-a3655079 (Accessed: 4 July 2019).</span></span>in random order
|
|
|
</li>
|
|
|
<li>Discussion on angry voices</li>
|
|
|
<li>Discussion based on a <span class="tooltip-wrap">a question <span class="tooltip-content-right">
|
|
|
<pre>
|
|
|
How would you describe an angry voice? Can you make it with your own voice? What quality it has? Can you connect it with your 'inner' loud voice, that talks to you but you don't express it?
|
|
|
</pre>
|
|
|
</li>
|
|
|
</ul>
|
|
|
<li>Equipment: </li>
|
|
|
<ul>
|
|
|
<li>Printed extracts</li>
|
|
|
<li>Audio recorder</li>
|
|
|
<li>Paper + pens</li>
|
|
|
<li>Small speaker</li>
|
|
|
<li>Food + coffee</li>
|
|
|
</ul>
|
|
|
<li>Outcome:</li>
|
|
|
<ul>
|
|
|
<li>Audio recordings of the actions</li>
|
|
|
</ul>
|
|
|
<li>Date: 20/6/2019</li>
|
|
|
<li>Location: Private space next to Leeszaal, Rotterdam</li>
|
|
|
<li>Other: Part of <span class="tooltip-wrap">Women@Art<span class="tooltip-content-right">A series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal</span></span><li>
|
|
|
</div>
|
|
|
|
|
|
<div class="draggable scaleable-wrapper box_metadata group_metadata pile9"><h2>Workshop 9</h2>
|
|
|
<li>Actions:</li>
|
|
|
<ul>
|
|
|
<li>Warming up</li>
|
|
|
<li>Writing personal angry sentences</li>
|
|
|
<li>Play: making a dialogue only out of these sentenses</li>
|
|
|
<li>Recording the play</li>
|
|
|
<li>Broadcasting the recording outside</li>
|
|
|
</ul>
|
|
|
<li>Equipment: </li>
|
|
|
<ul>
|
|
|
<li>Printed instructions</li>
|
|
|
<li>Audio recorder</li>
|
|
|
<li>Paper + pens</li>
|
|
|
<li>Food + coffee</li>
|
|
|
<li>Portable speaker</li>
|
|
|
</ul>
|
|
|
<li>Outcome:</li>
|
|
|
<ul>
|
|
|
<li>Audio recordings of the play</li>
|
|
|
<li>Handwritten slips of paper</li>
|
|
|
<li>'Happening' outside of the private space</li>
|
|
|
</ul>
|
|
|
<li>Date: 27/6/2019</li>
|
|
|
<li>Location: Private space next to Leeszaal, Rotterdam</li>
|
|
|
<li>Other: Part of <span class="tooltip-wrap">Women@Art<span class="tooltip-content-right">A series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal</span></span><li>
|
|
|
</div>
|
|
|
|
|
|
<div class="draggable scaleable-wrapper box_metadata group_metadata pile10"><h2>Workshop 10</h2>
|
|
|
<li>Actions:</li>
|
|
|
<ul>
|
|
|
<li>Writing personal angry sentences transformed them creatively into curses</li>
|
|
|
<li>Play: making a dialogue only out of these sentenses</li>
|
|
|
<li>Recording the play</li>
|
|
|
<li>Broadcasting the recording inside</li>
|
|
|
</ul>
|
|
|
<li>Equipment: </li>
|
|
|
<ul>
|
|
|
<li>Printed instructions</li>
|
|
|
<li>Audio recorder</li>
|
|
|
<li>Paper + pens</li>
|
|
|
<li>Food + coffee</li>
|
|
|
<li>Portable speaker</li>
|
|
|
</ul>
|
|
|
<li>Outcome:</li>
|
|
|
<ul>
|
|
|
<li>Audio recordings of the play</li>
|
|
|
<li>Handwritten slips of paper</li>
|
|
|
</ul>
|
|
|
<li>Date: 4/7/2019</li>
|
|
|
<li>Location: Private space next to Leeszaal, Rotterdam</li>
|
|
|
<li>Other: Part of <span class="tooltip-wrap">Women@Art<span class="tooltip-content-right">A series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal</span></span><li>
|
|
|
</div>
|
|
|
|
|
|
<!-- draggable menu-->
|
|
|
<div class="draggable scaleable-wrapper active-draggable" style="top:1%; right:0.5%;">
|
|
|
<h2><a class="active" href="amplification.php">Amplification of female voices</a></h2>
|
|
|
<div class="drag-content">
|
|
|
<?php include 'texts/amplification.txt'; ?>
|
|
|
</div>
|
|
|
</div>
|
|
|
|
|
|
</div>
|
|
|
<div class="draggable scaleable-wrapper group_menu pileM menu">
|
|
|
<h2 ><a href="index.php">About</a></h2>
|
|
|
<div class="drag-content">
|
|
|
(main page)
|
|
|
</div>
|
|
|
</div>
|
|
|
|
|
|
|
|
|
<div class="draggable scaleable-wrapper group_menu pileM menu">
|
|
|
<h2 ><a href="podcast1.php">"Mediating Speech"<div class="hover-icon"><img src="images/icon-play.png"></div></a></h2>
|
|
|
<div class="drag-content">
|
|
|
(podcast)
|
|
|
</div>
|
|
|
</div>
|
|
|
<div class="draggable scaleable-wrapper group_menu pileM menu">
|
|
|
<h2 ><a href="podcast2.php">"Voice's Transition"<div class="hover-icon"><img src="images/icon-play.png"></div></a></h2>
|
|
|
<div class="drag-content">
|
|
|
(podcast)
|
|
|
</div>
|
|
|
</div>
|
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<div class="draggable scaleable-wrapper group_menu pileM menu">
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<h2 ><a href="podcast3.php">"Blocking our Voices"<div class="hover-icon"><img src="images/icon-play.png"></div></a></h2>
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<div class="drag-content">
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(podcast)
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</div>
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</div>
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<div class="draggable scaleable-wrapper group_menu pileM menu">
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<h2 ><a href="thesis-angeliki.php">"Let' s Talk About Unspeakable Things"</a></h2>
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<div class="drag-content">
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(thesis)
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</div>
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</div>
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<div class="draggable scaleable-wrapper group_menu pileM menu">
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<h2 ><a href="diary.php">Diary of West Rotterdam</a></h2>
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<div class="drag-content">
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(first experiments)
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</div>
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</div>
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<div class="draggable scaleable-wrapper group_menu pileM menu">
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<h2 ><a href="player.php">Player<div class="hover-icon-speaker"><img src="images/icon-speaker.png"></div></a></h2>
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<div class="drag-content">
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(audio archive)
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</div>
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<!-- end draggable -->
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<!-- reshuffle -->
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<script>
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var distance=20
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piles()
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// piles are workshops
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function piles(){
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var pileM_position=[1550,700]
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$(".pileM").each(function(i){
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$(this).css({"top":i*60+pileM_position[1],"left":i*20+pileM_position[0]})
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})
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var pile0_position=[30,3300]
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$(".pile0").each(function(i){
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$(this).css({"top":pile0_position[1],"left":i*80+pile0_position[0]})
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})
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var pile1_position=[30,150]
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$(".pile1").each(function(i){
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$(this).css({"top":i*distance+pile1_position[1],"left":i*distance+pile1_position[0]})
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})
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var pile2_position=[800,100]
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$(".pile2").each(function(i){
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$(this).css({"top":i*distance+pile2_position[1],"left":i*distance+pile2_position[0]})
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})
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|
var pile3_position=[100,800]
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$(".pile3").each(function(i){
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|
$(this).css({"top":i*distance+pile3_position[1],"left":i*distance+pile3_position[0]})
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})
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|
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|
var pile4_position=[800,750]
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|
$(".pile4").each(function(i){
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$(this).css({"top":i*distance+pile4_position[1],"left":i*distance+pile4_position[0]})
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})
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|
|
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|
var pile5_position=[60,1500]
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|
$(".pile5").each(function(i){
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|
$(this).css({"top":i*distance+pile5_position[1],"left":i*distance+pile5_position[0]})
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|
})
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|
|
|
|
var pile6_position=[800,1600]
|
|
|
$(".pile6").each(function(i){
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|
$(this).css({"top":i*distance+pile6_position[1],"left":i*distance+pile6_position[0]})
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|
})
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|
var pile7_position=[1500,1300]
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|
$(".pile7").each(function(i){
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|
$(this).css({"top":i*distance+pile7_position[1],"left":i*distance+pile7_position[0]})
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|
})
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|
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|
var pile8_position=[100,2300]
|
|
|
$(".pile8").each(function(i){
|
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|
$(this).css({"top":i*distance+pile8_position[1],"left":i*distance+pile8_position[0]})
|
|
|
})
|
|
|
|
|
|
var pile9_position=[700,2350]
|
|
|
$(".pile9").each(function(i){
|
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|
$(this).css({"top":i*distance+pile9_position[1],"left":i*distance+pile9_position[0]})
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|
})
|
|
|
|
|
|
var pile10_position=[1450,2100]
|
|
|
$(".pile10").each(function(i){
|
|
|
$(this).css({"top":i*distance+pile10_position[1],"left":i*distance+pile10_position[0]})
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|
|
})
|
|
|
|
|
|
}
|
|
|
|
|
|
function groups(){
|
|
|
|
|
|
var group_vowels_position=[700,100]
|
|
|
$(".group_vowels").each(function(i){
|
|
|
$(this).css({"top":i*distance+group_vowels_position[1],"left":i*distance+group_vowels_position[0]})
|
|
|
})
|
|
|
|
|
|
var group_photos_position=[20,100]
|
|
|
$(".group_photos").each(function(i){
|
|
|
$(this).css({"top":i*distance+group_photos_position[1],"left":i*distance+group_photos_position[0]})
|
|
|
})
|
|
|
|
|
|
var group_extracts_position=[50,1000]
|
|
|
$(".group_extracts").each(function(i){
|
|
|
$(this).css({"top":i*distance+group_extracts_position[1],"left":i*distance+group_extracts_position[0]})
|
|
|
})
|
|
|
|
|
|
var group_metadata_position=[1300,1300]
|
|
|
$(".group_metadata").each(function(i){
|
|
|
$(this).css({"top":i*distance+group_metadata_position[1],"left":i*distance+group_metadata_position[0]})
|
|
|
})
|
|
|
|
|
|
var group_menu_position=[1300,700]
|
|
|
$(".group_menu").each(function(i){
|
|
|
$(this).css({"top":i*60+group_menu_position[1],"left":i*20+group_menu_position[0]})
|
|
|
})
|
|
|
|
|
|
}
|
|
|
</script>
|
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|
</body>
|
|
|
</html>
|