# to think Online audience? Online sphere? # Project ## Titles Network utterance- Overflowed emotions Occupy your stream Screaming streaming Storage or presence (from chronopoetics) - this is the binary I am dealing with A social dreaming/ a social screaming ## Topics Uncensored speech Amplification of the female voice (collective voice) The mystification of the female voice/ the "annoying" noise ..Constructing understanding your own tools (streaming devices and apps) and access to the medium that amplifies the voice (privitization of medium, patriarchal structure) Thesis_V11_EssayForm.pdf ‎(file size: 150 KB, MIME type: application/pdf) File history/Click on a date/time to view the file as it appeared at that time. Amplification from private to public Streaming from public to public, private to public, public to private, private to private Being present in the political spheres An intervention in public with less medium A guide on voice in public (the theoretical aspect of public space--the conceptual sphere) A guide on amplification. Relation of social and spatial Transmitting Ugly Things (relation to talking about damage/ Queering Damage) *you are part of the stream* ## Amplification https://en.m.wikipedia.org/wiki/Amplification human microphone cars together playing the same frequency max neuhaus people broadcasting different frequencies that compose a piece. Amplification through multitude (decentralized) The female collective voice (thrinos) ## Methods Methods of streaming: pi streaming, buffer file, baby phone Radio utterances in public Medidate with the voice of the frequencies like women in thrinos Reading rooms Reading with a medium and different practices of presence Discussion groups Fediverse multiplication practices of geting "loud" and present-- listening to frequencies of malls-- issue of private and public amplification in abandoned public spaces, recording down where voice is appeared create a radio station inside leeszaal and broadcast field recordings and conversations/ inside and outside leeszaal/ create group conversations or silent ones Amplification live streaming The connection of the public physical amplification with digital, meeting the binaries (public, private, high-pitched, low pitched) ..Workshop: An utterance of mediated voices/ streamed and broadcasted depending on the time they are made/ sometimes they will sychronize mouffe: "critical artistic practices subverting the dominant hegemony" different voices, infrastructures Amplification and high-pitched voice outside of leeszaal create a poetic (audio) narrative emerging from the actual "real" contribution of people. include the aspect of the Caliban and the witch Workshop: Costumize your own streaming/digital speech space using the questions from my question structure of 2015/ for space and medium for the end: hackthon: where you ask the participants to explore a subject, through the development of a prototypes, from give a starting point. workshop: where you bring in a certain technology/prototype/... and ask others to develop or explore it. More focused on a approach and see what that approach can lead to (book) sprints: where the group writes collaboratively a manual / research text / book / and produces a wbesite/pdf/... test session: where a given procedure/methods is tested on the participants and at the end feedback is given ...others or combinations of these *Questions What medium represents you? And how you do it?* ## Refs - Mohammed Malique. Bodega hni. Mijn stad is Mijn hart https://www.vpro.nl/programmas/tegenlicht/kijk/afleveringen/2018-2019/mijn-stad-is-mijn-hart.html - Amplification of female voice women in Red writing articles in Wikipedia https://en.wikipedia.org/wiki/Women_in_Red - http://networkcultures.org/geert/2018/12/04/bridging-the-gap-between-technology-and-progressive-politics-in-europe/ "media activists who are increasingly becoming cosmopolitan and detached from local communities and struggles." leeszaal Media theorist Geert Lovink is apparently missing out on what is happening here amongst other places when he writes: "The Social Media Question: Where are the Alternatives?" poking at a broadly defined "geek class" and applying the term elitism to it. I have never met him and i believe he's well known. ## Diary notes Poetics, the poetics of the medium, the poetics of the voice being metiated Future: leaving the social sphere and the self, after the practice has been clear. Thinking of the condition of the medium, the device, the software, the technology/ the landscape of it, the low-tech, the abandonence. Metaphor of the human loneliness. Lonileness, how I experience it, and the connection with an object. The idea of it. Detachement of myself and the responsibilty of it. ## Bibliography - Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142. - Barad, K. (2018) ‘Troubling time/s and ecologies of nothingness: re-turning, re-membering, and facing the incalculable’, new formations: a journal of culture/theory/politics, 92(1), pp. 56–86. - Beard, M. (2017) Women & Power: A Manifesto. 1 edition. New York: Liveright. - 667: Wartime Radio (2019) This American Life. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).