From 7b26faa03ae8ecced9963b9278c78fcb3ce0a69a Mon Sep 17 00:00:00 2001 From: Angeliki Date: Sat, 6 Jul 2019 17:26:01 +0200 Subject: [PATCH] changes in texts --- amplification.php | 224 ++++++++++++++++++++++++++++++++++++---- cover.php | 82 +++++++++++++++ diary.php | 4 - index.php | 20 ++-- player.php | 3 - podcast1.php | 6 +- podcast2.php | 5 +- podcast3.php | 6 +- podcast4.php | 2 +- styles/widescreen.css | 2 +- texts/about.txt | 2 +- texts/colophon.txt | 4 +- texts/dear_listener.txt | 1 + thesis-angeliki.php | 4 - 14 files changed, 301 insertions(+), 64 deletions(-) create mode 100644 cover.php diff --git a/amplification.php b/amplification.php index 3de469a..5e83251 100644 --- a/amplification.php +++ b/amplification.php @@ -25,8 +25,12 @@ + +
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Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142 + ANNOTATIONS
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Hollak, R. (no date) Hoe lastig het is om als vrouw je boosheid te uiten, NRC. Available at: https://www.nrc.nl/nieuws/2019/02/22/hoe-lastig-het-is-om-als-vrouw-je-boosheid-te-uiten-a3655079 (Accessed: 4 July 2019)
+ +
Hollak, R. (no date) Hoe lastig het is om als vrouw je boosheid te uiten, NRC. Available at: https://www.nrc.nl/nieuws/2019/02/22/hoe-lastig-het-is-om-als-vrouw-je-boosheid-te-uiten-a3655079 (Accessed: 4 July 2019)
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  • Outcome:
  • Date: 23/5/2019
    • @@ -294,12 +351,12 @@
  • Paper + pens
  • Microphone
  • Small speaker
    • -
  • Food
    • +
  • Food + coffee
  • Outcome:
  • Date: 30/5/2019
    • @@ -335,12 +392,12 @@
  • Paper + pens
  • Microphone
  • Small speaker
    • -
  • Food
    • +
  • Food + coffee
  • Outcome:
  • Date: 30/5/2019
    • @@ -349,6 +406,112 @@
    +

    Workshop 7

    +
  • Actions:
    • + +
  • Equipment:
    • + +
  • Outcome:
    • + +
  • Date: 13/6/2019
    • +
  • Location: Private space next to Leeszaal, Rotterdam
    • +
  • Other: Part of Women@ArtA series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal
  • +
    • + +

    Workshop 8

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  • Actions:
    • + +
  • Equipment:
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  • Outcome:
    • + +
  • Date: 20/6/2019
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  • Location: Private space next to Leeszaal, Rotterdam
    • +
  • Other: Part of Women@ArtA series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal
  • +
    • + +

    Workshop 9

    +
  • Actions:
    • + +
  • Equipment:
    • + +
  • Outcome:
    • + +
  • Date: 27/6/2019
    • +
  • Location: Private space next to Leeszaal, Rotterdam
    • +
  • Other: Part of Women@ArtA series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal
  • +
    • + +

    Workshop 10

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  • Actions:
    • + +
  • Equipment:
    • + +
  • Outcome:
    • + +
  • Date: 4/7/2019
    • +
  • Location: Private space next to Leeszaal, Rotterdam
    • +
  • Other: Part of Women@ArtA series of workshops dedicated to 'wereldvrouwen', a group of women around the world. They meet every Wednesday at Leeszaal
  • +
    • @@ -358,11 +521,6 @@
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    Player

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    - (audio archive) -

    About

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    Podcast4

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    Podcast1

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    Player

    +
    + (audio archive) +
    + @@ -408,7 +569,7 @@ var distance=20 piles() - +// piles are workshops function piles(){ var pileM_position=[1300,700] @@ -416,7 +577,7 @@ function piles(){ $(this).css({"top":i*60+pileM_position[1],"left":i*20+pileM_position[0]}) }) - var pile0_position=[30,2500] + var pile0_position=[30,3100] $(".pile0").each(function(i){ $(this).css({"top":pile0_position[1],"left":i*80+pile0_position[0]}) }) @@ -426,32 +587,51 @@ function piles(){ $(this).css({"top":i*distance+pile1_position[1],"left":i*distance+pile1_position[0]}) }) - var pile2_position=[800,100] + var pile2_position=[600,100] $(".pile2").each(function(i){ $(this).css({"top":i*distance+pile2_position[1],"left":i*distance+pile2_position[0]}) }) - var pile3_position=[100,900] + var pile3_position=[100,800] $(".pile3").each(function(i){ $(this).css({"top":i*distance+pile3_position[1],"left":i*distance+pile3_position[0]}) }) - var pile4_position=[700,850] + var pile4_position=[700,750] $(".pile4").each(function(i){ $(this).css({"top":i*distance+pile4_position[1],"left":i*distance+pile4_position[0]}) }) - var pile5_position=[400,1700] + var pile5_position=[60,1500] $(".pile5").each(function(i){ $(this).css({"top":i*distance+pile5_position[1],"left":i*distance+pile5_position[0]}) }) - var pile6_position=[1300,1600] + var pile6_position=[700,1540] $(".pile6").each(function(i){ $(this).css({"top":i*distance+pile6_position[1],"left":i*distance+pile6_position[0]}) }) + var pile7_position=[1400,1300] + $(".pile7").each(function(i){ + $(this).css({"top":i*distance+pile7_position[1],"left":i*distance+pile7_position[0]}) + }) + + var pile8_position=[100,2300] + $(".pile8").each(function(i){ + $(this).css({"top":i*distance+pile8_position[1],"left":i*distance+pile8_position[0]}) + }) + + var pile9_position=[600,2200] + $(".pile9").each(function(i){ + $(this).css({"top":i*distance+pile9_position[1],"left":i*distance+pile9_position[0]}) + }) + + var pile10_position=[1300,2000] + $(".pile10").each(function(i){ + $(this).css({"top":i*distance+pile10_position[1],"left":i*distance+pile10_position[0]}) + }) } diff --git a/cover.php b/cover.php new file mode 100644 index 0000000..c827ab6 --- /dev/null +++ b/cover.php @@ -0,0 +1,82 @@ + + + + + + + + + + + + + + + + + + cover + + + +
    + +

    Let's amplify unspeakable things

    + Angeliki Diakrousi + +
    + + + + + + + +
    +
    this is how female/high-pitched voices have been described since acient times as Anne Carson observes
    +
    + + + + +
    + +
    + +
    +

    About

    +
    + +
    +
    + + + + + + + + + + + + + + + diff --git a/diary.php b/diary.php index aaecdc8..0fdf59d 100644 --- a/diary.php +++ b/diary.php @@ -101,10 +101,6 @@

    About

    -
    -

    Podcast4

    -
    -

    Podcast1

    diff --git a/index.php b/index.php index aaf3a53..26ceeaa 100644 --- a/index.php +++ b/index.php @@ -35,7 +35,7 @@ -Best viewed in FireFox +Best viewed in FireFox and on desktop

    Let's amplify unspeakable things

    @@ -66,27 +66,21 @@
    -
    -

    Podcast4

    + +
    +

    Podcast2

    - -
    + +
    -
    +

    Podcast3

    -
    -

    Podcast2

    -
    - -
    -
    -

    Player

    diff --git a/player.php b/player.php index 2436a2e..899e3ed 100644 --- a/player.php +++ b/player.php @@ -471,9 +471,6 @@ $("#katalin").click(function(){
    -
    -

    Podcast4

    -

    Podcast1

    diff --git a/podcast1.php b/podcast1.php index 99104d9..157b97c 100644 --- a/podcast1.php +++ b/podcast1.php @@ -65,10 +65,6 @@

    Podcast3

    -
    -

    Podcast4

    -
    -

    "Let' s Talk About Unspeakable Things"

    @@ -128,7 +124,7 @@ echo '
    download
    '; } ?>


    -

    VISITORS' RECORDINGS


    +

    VISITORS' VOICES


    Podcast3

    -
    -

    Podcast4

    -
    @@ -126,7 +123,7 @@ echo '
    download
    '; } ?>


    -

    VISITORS' RECORDINGS

    +

    VISITORS' VOICES

    Podcast2

    -
    -

    Podcast4

    -
    +
    @@ -123,7 +121,7 @@ echo '
    download
    '; } ?>


    -

    VISITORS' RECORDINGS

    +

    VISITORS' VOICES

    download'; } ?>


    -

    VISITORS' RECORDINGS

    +

    VISITORS' VOICES

    female voices
    The term 'female voices' refers as well to the primitive and non-rational ways of expression, that the contemporary democracy tends to exclude, and overpasses the gender connotations
    in public and their amplification, developed by Angeliki Diakrousi. It creates a space for excluded voices to be explored (online and physical spaces), that questions the establishment of authoritative voices — which construct exclusive speech platforms and binaries, along the assumption that voices have to be rational in public dialogues. It includes a set of
    podcasts
    Different frictions emerged, between the technical and non technical
    that revisit and overlay an archive of audio recordings, produced in situated
    workshops
    and soundwalks, and media sources from a body of research. 'Let's Amplify Unspeakable Things' is based on the concept that amplification can provide presence through repetition and multiplication, as the structure of the workshops and the website reveals. The project itself is a process of feedback and iteration of actions, throughout a period of four months, situated around the space of Leeszaal and hub.xpub.nl. It exists in between the friction of institutions (a public library and an academy) and different public spheres (wereldvrouwen, academic), and it aims to go beyond their binaries. +'Let's Amplify Unspeakable Things' is an online platform of exploration and research, regarding
    female voices
    The term 'female voices' refers as well not only to the feminine, queer, non-binary voices but also to the primitive and non-rational ways of expression, that the contemporary democracy tends to exclude
    in public and their amplification, developed by Angeliki Diakrousi. It creates a space for excluded voices to be explored (online and physical spaces), that questions the establishment of authoritative voices — which construct exclusive speech platforms and binaries, along the assumption that voices have to be rational in public dialogues. It includes a set of
    podcasts
    Different frictions emerged, between the technical and non technical
    that revisit and overlay an archive of audio recordings, produced in situated
    workshops
    and soundwalks, and media sources from a body of research. 'Let's Amplify Unspeakable Things' is based on the concept that amplification can provide presence through repetition and multiplication, as the structure of the workshops and the website reveals. The project itself is a process of feedback and iteration of actions, throughout a period of four months, situated around the space of Leeszaal and hub.xpub.nl. It exists in between the friction of institutions (a public library and an academy) and different public spheres (wereldvrouwen, academic), and it aims to go beyond their binaries. diff --git a/texts/colophon.txt b/texts/colophon.txt index 6c22914..2cf23f2 100644 --- a/texts/colophon.txt +++ b/texts/colophon.txt @@ -1,10 +1,10 @@

    Colophon

  • This work has been produced in the context of the graduation research of Angeliki Diakrousi from the Experimental Publishing (
    XPUB
    XPUB is a two year Master of Arts in Fine Art and Design that focuses on the intents, means and consequences of making things public and creating publics in the age of post-digital networks
    ) Master course at the Piet Zwart Institute, Willem de Kooning Academy, Rotterdam University of Applied Sciences.
  • https://xpub.nl
    • -
  • Special thanks to Christina Karagianni for organising together these inspiring workshops, Angelique, Fatima, Lidia, Dionne and other women from
    Wereldvrouwen
    Wereldvrouwen Rotterdam Foundation does various social, educational and recreational activities for and by women from various cultures, many of them with a low income and low education level. One of their meeting points is Leeszaal
    for participating in the workshops, and all the other participants who came in the beginning, but also the online participants who generously contributed with their voices to the website. More thanks to my tutors, XPUB comrades and all my friends with whom I had interesting discussions and tryouts that pushed my research further.
    • +
  • Special thanks to Christina Karagianni for organising together these inspiring workshops, Angelique, Fatima, Lidia, Dionne and other women from
    Wereldvrouwen
    Wereldvrouwen Rotterdam Foundation does various social, educational and recreational activities for and by women from various cultures, many of them with a low income and low education level. One of their meeting points is at Leeszaal
    for participating in the workshops, and all the other participants who came in the beginning, but also the online participants who generously contributed with their voices to the website. More thanks to my tutors, XPUB comrades and all my friends with whom I had interesting discussions and tryouts that pushed my research further.
  • This work is licensed under the
    Free Art Licence
    [Angeliki Diakrousi, Let's Amplify Unspeakable Things, 2019. Rotterdam].
    Copyleft: This is a free work, you can copy, distribute, and modify it under the terms of the Free Art License http://artlibre.org/licence/lal/en/
    .
    • -
  • The last 6 workshops are part of
    Women@Art
    (free translation) Wereldvrouwen Rotterdam Foundation does various social, educational and recreational activities for and by women from various cultures, many of them with a low income and low education level. Most women hardly ever come into contact with the world of Art & Culture. Participants are encouraged to develop with inspiring examples from the art world by visiting exhibitions / studios in the city. A number of female (amateur) artists give workshops on their own work. The aim is to make the world of art more accessible, to help women to develop their own creativity and to transform it into strength
    and funded by the
    Municipality of Rotterdam
    The municipality granted to us is a structural subsidy called Pitcher Perfect 010
    • +
  • The last 6 workshops are part of
    Women@Art
    (free translation) Wereldvrouwen Rotterdam Foundation does various social, educational and recreational activities for and by women from various cultures, many of them with a low income and low education level. Most women hardly ever come into contact with the world of Art & Culture. Participants are encouraged to develop with inspiring examples from the art world by visiting exhibitions / studios in the city. A number of female (amateur) artists give workshops on their own work. The aim is to make the world of art more accessible, to help women to develop their own creativity and to transform it into strength
    and funded by the
    Municipality of Rotterdam
    The municipality granted to us a structural subsidy called Pitcher Perfect 010
  • The studies of Angeliki Diakrousi were funded through a scholarship by the Onassis Foundation
    • diff --git a/texts/dear_listener.txt b/texts/dear_listener.txt index 46f3d11..d29f197 100644 --- a/texts/dear_listener.txt +++ b/texts/dear_listener.txt @@ -3,5 +3,6 @@ you are invited to
    amplify
    parts of the podcasts that you find worthy of attention by listening, recording and repeating them, with your own voice, and upload them in the archive. The stories and sounds, you will listen to, are related to how female voices have been marginalised and what methods (rational/irrational) amplify and bring them in the front. Amplification can happen through repetition and multiplication. Your recording becomes part of a gathering of multiple individual voices, that repeat fragments of situations and things that are unspeakable, and can appear as feedback to them. Your voice with its own quality and uniquness will channel these fragmented female voices. This audio collection may be, then, used as an input for workshops.

    Maximum duration: 1 min

    Best recorded from a computer

    +

    Something like a Privacy Policy

    diff --git a/thesis-angeliki.php b/thesis-angeliki.php index b1fbcf0..047a796 100644 --- a/thesis-angeliki.php +++ b/thesis-angeliki.php @@ -60,10 +60,6 @@ -
    -

    Podcast4

    -
    -

    Podcast1