edit flying notes menu throughout all pages

master
Angeliki 6 years ago
parent efea7f6390
commit 62145bba86

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<h2 >Amplification of female voices</h2> <script src="https://code.jquery.com/jquery-1.12.4.js"></script>
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<div>How can we engage politically with the exclusion of specific voices from the public sphere? Here I document my attempts to create a safe common space of trying methods and discussing that topic in Leeszaal, an open library that I consider a diverse public space. I am borrowing methods from feminist groups and protest movements and vocal warming up exercises by Pauline Oliveros. For example, protesters would amplify the speaker's voice by repeating collectively their speech to make their presence visible. Feminists would create safe spaces where women could speak about domestic violence and make a dialogue based on listening. Some methods are vocal performances in situ, the "human microphone", speech acts, listening practices, making podcasts, mediating speech, transform our voices, situated experiments. I am doing that together with Christina Karagianni, who is also from Greece and with whom I share similar experiences of silencing. We combine our practices -her practice lies on choreography and dance and mine on social interaction, voice and sound- and try vocal exercises and reading in moments of Leeszaal.<div class="tooltip-wrap" style="display: inline;text-decoration:underline;">We invite <div class="tooltip-content-right" ><div>how we should approch the gender terminology and false association with voice when inviting people? Should it be about femme sounding? Female voice? </div></div></div>people from Leeszaal and our environment, who find themselves related and interested to this topic. Elements from the meetings: discuss previous material, reading extracts in random order, <div class="tooltip-wrap" style="display: inline;text-decoration:underline;">discuss <div class="tooltip-content-right" ><div>what conflicts or frictions the technical aspect provokes?</div></div></div>personal associations and experiences with voice in public, warm up, say a sentence of personal experience in any language, transcribe only the vowels, read back the vowels, read outloud all together the score of vowels, repeat sentences with distorted voice, make podcasts.</div> <script src="js/main.js"></script>
<p>
<a href="extracts.html" target="_blank">extracts</a>
</p>
<p>
<a href="../index.html">Utterance</a>
</p>
</div>
</section>
</head> </head>
<body> <body>
<table style="width:100%">
<!-- <h2 style="border: 1px solid; background-color: white; padding: 10px; width: 500px; position:absolute;top: 0; left: 45%;" >Amplification of female voices</h2>
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<tr> <tr>
<td align="right"> <td><a href="images/carson-extract.jpg" target="_blank"><img src="images/carson-extract.jpg" width="600px" /></a>
<div class="desc" align="right">first experiments</div>
<img src="images/vowels-leeszaal-test.jpg" width="70%"></img><img src="images/vowels-20190322-leeszaal.jpg" width="70%"></img>
</td> </td>
<td> <td><a href="images/carson-extract.jpg" target="_blank"><img src="images/fresh1.jpg" width="600px" /></a>
<div class="desc">at Leeszaal</div>
<img src="images/vowels-20190328-leeszaal.jpg" width="100%"></img><audio controls class="audio-mini" src="audio/leeszaal-meetings-choir.mp3"></audio>
</td> </td>
<td> <td><a href="images/carson-extract.jpg" target="_blank"><img src="images/fresh2.jpg" width="600px" /></a>
<div class="desc">at fine arts</div>
<img src="images/vowels-20190329-finearts.jpg" width="100%"></img><audio controls class="audio-mini" src="audio/finearts-meeting-choir.mp3"></audio>
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<br> </div>
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<img src="images/meeting-20190328-leeszaal-2.JPG" width="50%"> <h2><a href="amplification.html" target="_blank">Amplification of female voices</a></h2>
</a> <div class="drag-content">How can we engage politically with the exclusion of specific voices from the public sphere? Here I document my attempts to create a safe common space of trying methods and discussing that topic in Leeszaal, an open library that I consider a diverse public space. I am borrowing methods from feminist groups and protest movements and vocal warming up exercises by Pauline Oliveros. For example, protesters would amplify the speaker's voice by repeating collectively their speech to make their presence visible. Feminists would create safe spaces where women could speak about domestic violence and make a dialogue based on listening. Some methods are vocal performances in situ, the "human microphone", speech acts, listening practices, making podcasts, mediating speech, transform our voices, situated experiments. I am doing that together with Christina Karagianni, who is also from Greece and with whom I share similar experiences of silencing. We combine our practices -her practice lies on choreography and dance and mine on social interaction, voice and sound- and try vocal exercises and reading in moments of Leeszaal.<div class="tooltip-wrap" style="display: inline;text-decoration:underline;">We invite <div class="tooltip-content-right" ><div>how we should approch the gender terminology and false association with voice when inviting people? Should it be about femme sounding? Female voice? </div></div></div>people from Leeszaal and our environment, who find themselves related and interested to this topic. Elements from the meetings: discuss previous material, reading extracts in random order, <div class="tooltip-wrap" style="display: inline;text-decoration:underline;">discuss <div class="tooltip-content-right" ><div>what conflicts or frictions the technical aspect provokes? web-audio, recordings</div></div></div>personal associations and experiences with voice in public, warm up, say a sentence of personal experience in any language, transcribe only the vowels, read back the vowels, read outloud all together the score of vowels, repeat sentences with distorted voice, make podcasts.</div>
</div>
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<img src="images/meeting-20190328-leeszaal-1.JPG" width="50%">
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<a target="_blank" href="images/meeting-20190328-leeszaal-3.JPG.jpg"> <h2 ><a href="" target="_blank">Diary of West Rotterdam</a></h2>
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<a target="_blank" href="images/meeting-20190329-finearts-2.JPG"> <h2 ><a href="podcast1.php" target="_blank">About</a></h2>
<img src="images/meeting-20190329-finearts-2.JPG" width="50%"> </div>
</a>
<div class="draggable" style="top: 700px; right: 0px;">
<h2 ><a href="podcast1.php" target="_blank">Podcasts</a></h2>
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<div class="gallery"> <div class="draggable" style="top: 900px; right: 0px; z-index: 9;">
<a target="_blank" href="images/meeting-20190328-leeszaal-5.JPG"> <h2 ><a href="texts/thesis/thesis-angeliki.html" target="_blank">Let' s Talk About Unspeakable Things</a></h2>
<img src="images/meeting-20190328-leeszaal-5.JPG" width="50%">
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<link href="styles/stylesheet.css" rel="stylesheet" type="text/css"> <link href="styles/stylesheet.css" rel="stylesheet" type="text/css">
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</head> <title>Let's amplify unspeakable things</title>
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<h1>Let's amplify unspeakable things <p style="font-size: 25px !important;">overlayered utterances</p></h1>
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<h2 style="text-align: left !important;"><a href="podcast1.php" target="_blank">About</a></h2> <h2 ><a href="podcast1.php" target="_blank">About</a></h2>
<div class="drag-content"> <div class="drag-content">
'Amplified Utterances' is an online platform that supports a space for exploration and research, regarding voice in public and its amplification, developed by Angeliki Diakrousi. It consists of a set of experiments that questions the establishment of authoritative/male voices that create exclusive speech platforms, along the assumption that voices have to be rational, authoritative (voice of expertise) etc. The intervention that changes the paradigm becomes <div class="tooltip-wrap" style="display: inline;text-decoration:underline;">a set of podcasts <div class="tooltip-content-right" ><div>what conflicts or frictions the technical aspect provokes?</div></div></div>that revisit an archive of audio recordings produced in situated meetings and soundwalks. Every podcast exists on a way that creates repetetive layers of the same material. I perceive amplification as a way to create presence through repetition and multiplication. 'Amplified Utterances' is upsetting binaries such as male/female, expert/amateur, rational/irrational. It is about creating poetic (audio) narratives emerging from the contribution of people. 'Amplified Utterances' is an online platform that supports a space for exploration and research, regarding voice in public and its amplification, developed by Angeliki Diakrousi. It consists of a set of experiments that questions the establishment of authoritative/male voices that create exclusive speech platforms, along the assumption that voices have to be rational, authoritative (voice of expertise) etc. The intervention that changes the paradigm becomes <div class="tooltip-wrap" style="display: inline;text-decoration:underline;">a set of podcasts <div class="tooltip-content-right" ><div>what conflicts or frictions the technical aspect provokes?</div></div></div>that revisit an archive of audio recordings produced in situated meetings and soundwalks. Every podcast exists on a way that creates repetetive layers of the same material. I perceive amplification as a way to create presence through repetition and multiplication. 'Amplified Utterances' is upsetting binaries such as male/female, expert/amateur, rational/irrational. It is about creating poetic (audio) narratives emerging from the contribution of people.
</div></div> </div></div>
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<div class="tooltip-wrap" style="text-decoration:underline;"> <img src="texts/thesis/carson-list.jpg" style="width: 100%"></img><div class="tooltip-content-right" ><div>this is how female/high-pitched voices have been described since acient times as Anne Carson observes</div></div></div> <div class="tooltip-wrap" style="text-decoration:underline;"> <img src="texts/thesis/carson-list.jpg" style="width: 100%"></img><div class="tooltip-content-right" ><div>this is how female/high-pitched voices have been described since acient times as Anne Carson observes</div></div></div>
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<h2 style="text-align: left !important;"><a href="podcast1.php" target="_blank">Podcasts</a></h2> <h2 ><a href="podcast1.php" target="_blank">Podcasts</a></h2>
<div class="drag-content"> Podcast is a series of episodes of moments of an online audio archive overlayered by my voice as a narrator. <div class="drag-content"> Podcast is a series of episodes of moments of an online audio archive overlayered by my voice as a narrator.
</div> </div>
</div> </div>
<div class="draggable" style="top:14%;left:66%;"> <div class="draggable" style="top:34%;left:60%;">
<h2 style="text-align: left !important;"><a href="texts/thesis/thesis-angeliki.html" target="_blank">Let' s Talk About Unspeakable Things</a></h2> <h2 ><a href="texts/thesis/thesis-angeliki.html" target="_blank">Let's Talk About Unspeakable Things</a></h2>
<div class="drag-content">Thesis</div> <div class="drag-content">Thesis</div>
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<div class="draggable" style="top:47%;left:37%;"> <div class="draggable" style="top:25%;left:27%;">
<h2 style="text-align: left !important;"><a href="amplification.html" target="_blank">Amplification of female voices</a></h2> <h2 ><a href="amplification.html" target="_blank">Amplification of female voices</a></h2>
<div class="drag-content">How can we engage politically with the exclusion of specific voices from the public sphere? Here I document my attempts to create a safe common space of trying methods and discussing that topic in Leeszaal, an open library that I consider a diverse public space. I am borrowing methods from feminist groups and protest movements and vocal warming up exercises by Pauline Oliveros. For example, protesters would amplify the speaker's voice by repeating collectively their speech to make their presence visible. Feminists would create safe spaces where women could speak about domestic violence and make a dialogue based on listening. Some methods are vocal performances in situ, the "human microphone", speech acts, listening practices, making podcasts, mediating speech, transform our voices, situated experiments. I am doing that together with Christina Karagianni, who is also from Greece and with whom I share similar experiences of silencing. We combine our practices -her practice lies on choreography and dance and mine on social interaction, voice and sound- and try vocal exercises and reading in moments of Leeszaal.<div class="tooltip-wrap" style="display: inline;text-decoration:underline;">We invite <div class="tooltip-content-right" ><div>how we should approch the gender terminology and false association with voice when inviting people? Should it be about femme sounding? Female voice? </div></div></div>people from Leeszaal and our environment, who find themselves related and interested to this topic. Elements from the meetings: discuss previous material, reading extracts in random order, <div class="tooltip-wrap" style="display: inline;text-decoration:underline;">discuss <div class="tooltip-content-right" ><div>what conflicts or frictions the technical aspect provokes? web-audio, recordings</div></div></div>personal associations and experiences with voice in public, warm up, say a sentence of personal experience in any language, transcribe only the vowels, read back the vowels, read outloud all together the score of vowels, repeat sentences with distorted voice, make podcasts.</div> <div class="drag-content">How can we engage politically with the exclusion of specific voices from the public sphere? Here I document my attempts to create a safe common space of trying methods and discussing that topic in Leeszaal, an open library that I consider a diverse public space. I am borrowing methods from feminist groups and protest movements and vocal warming up exercises by Pauline Oliveros. For example, protesters would amplify the speaker's voice by repeating collectively their speech to make their presence visible. Feminists would create safe spaces where women could speak about domestic violence and make a dialogue based on listening. Some methods are vocal performances in situ, the "human microphone", speech acts, listening practices, making podcasts, mediating speech, transform our voices, situated experiments. I am doing that together with Christina Karagianni, who is also from Greece and with whom I share similar experiences of silencing. We combine our practices -her practice lies on choreography and dance and mine on social interaction, voice and sound- and try vocal exercises and reading in moments of Leeszaal.<div class="tooltip-wrap" style="display: inline;text-decoration:underline;">We invite <div class="tooltip-content-right" ><div>how we should approch the gender terminology and false association with voice when inviting people? Should it be about femme sounding? Female voice? </div></div></div>people from Leeszaal and our environment, who find themselves related and interested to this topic. Elements from the meetings: discuss previous material, reading extracts in random order, <div class="tooltip-wrap" style="display: inline;text-decoration:underline;">discuss <div class="tooltip-content-right" ><div>what conflicts or frictions the technical aspect provokes? web-audio, recordings</div></div></div>personal associations and experiences with voice in public, warm up, say a sentence of personal experience in any language, transcribe only the vowels, read back the vowels, read outloud all together the score of vowels, repeat sentences with distorted voice, make podcasts.</div>
</div> </div>
<div class="draggable" style="top:36%;left:30%;"> <div class="draggable" style="top:75%;left:47%;">
<h2 style="text-align: left !important;"><a href="" target="_blank">Diary of West Rotterdam</a></h2> <h2 ><a href="" target="_blank">Diary of West Rotterdam</a></h2>
<div class="drag-content"><p>I recorded sounds from West Rotterdam, while walking around a neighborhood for several days. This action was part of my first experiments when I was in attempt to understand how gender binaries regarding voice are reflected in space, especially public space. <div class="drag-content"><p>I recorded sounds from West Rotterdam, <div class="tooltip-wrap" style="display: inline;text-decoration:underline;">while walking around a neighborhood<div class="tooltip-content-down" ><img width="300px" src="images/soundwalk-photo1.jpg" /><br /><br /><img width="300px" src="images/soundwalk-photo3.jpg" /></div></div> for several days. This action was part of my first experiments when I was in attempt to understand how gender binaries regarding voice are reflected in space, especially public space.
</p> </p>
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<a href="#" >Angela Davis @Occupy Wall Street</a>
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<a class="internet" href="https://www.youtube.com/watch?v=JVpoOdz1AKQ&feature=youtu.be" target="popup" onclick="window.open('https://www.youtube.com/watch?v=JVpoOdz1AKQ&feature=youtu.be','popup','width=600,height=600'); return false;">Judith Butler @Occupy Wall Street</a>
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<a class="internet" href="https://www.youtube.com/watch?v=SirOxIeuNDE" target="popup" onclick="window.open('https://www.youtube.com/watch?v=SirOxIeuNDE','popup','width=600,height=600'); return false;">Laurie Anderson - Mach 20</a>
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<a class="internet" href="https://www.thisamericanlife.org/667/wartime-radio" target="popup" onclick="window.open('https://www.thisamericanlife.org/667/wartime-radio','popup','width=600,height=600'); return false;">Ballout, D. (2019) Good Morning, Kafranbel, This American Life: Wartime Radio</a>
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<a class="internet" href="https://www.youtube.com/watch?v=TY96Ma6YdtQ" target="popup" onclick="window.open('https://www.youtube.com/watch?v=TY96Ma6YdtQ','popup','width=600,height=600'); return false;">Vocal performance of Katalin Ladik in the film Berberian Sound Studio, 2012</a>
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@ -0,0 +1,230 @@
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@ -3,15 +3,41 @@
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<li id="angela" style="list-style: none;">
<a href="#" >Angela Davis @Occupy Wall Street</a>
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<li style="list-style: none;">
<a class="internet" href="https://www.youtube.com/watch?v=JVpoOdz1AKQ&feature=youtu.be" target="popup" onclick="window.open('https://www.youtube.com/watch?v=JVpoOdz1AKQ&feature=youtu.be','popup','width=600,height=600'); return false;">Judith Butler @Occupy Wall Street</a>
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<a class="internet" href="https://www.youtube.com/watch?v=SirOxIeuNDE" target="popup" onclick="window.open('https://www.youtube.com/watch?v=SirOxIeuNDE','popup','width=600,height=600'); return false;">Laurie Anderson - Mach 20</a>
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<a class="internet" href="https://www.thisamericanlife.org/667/wartime-radio" target="popup" onclick="window.open('https://www.thisamericanlife.org/667/wartime-radio','popup','width=600,height=600'); return false;">Ballout, D. (2019) Good Morning, Kafranbel, This American Life: Wartime Radio</a>
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<li style="list-style: none;">
<a class="internet" href="https://www.youtube.com/watch?v=TY96Ma6YdtQ" target="popup" onclick="window.open('https://www.youtube.com/watch?v=TY96Ma6YdtQ','popup','width=600,height=600'); return false;">Vocal performance of Katalin Ladik in the film Berberian Sound Studio, 2012</a>
</li>
</div>
@ -480,314 +506,42 @@ Oh, I hear children in the background crying</div>
</section> </section>
<!-- draggable --> <!-- draggable menu-->
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<script src="https://code.jquery.com/ui/1.12.1/jquery-ui.js"></script> <h2 ><a href="" target="_blank">Diary of West Rotterdam</a></h2>
<div class="drag-content">I recorded sounds from West Rotterdam, <div class="tooltip-wrap" style="display: inline;text-decoration:underline;">while walking around a neighborhood<div class="tooltip-content-down" ><img width="300px" src="images/soundwalk-photo1.jpg" /><br /><br /><img width="300px" src="images/soundwalk-photo3.jpg" /></div></div> for several days. This action was part of my first experiments when I was in attempt to understand how gender binaries regarding voice are reflected in space, especially public space.
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<div class="draggable" style="top:9%;left:0%;"> <div class="draggable" style="width: 500px; top: 20px; right: 0px;">
<h2 style="text-align: left !important;"><a href="podcast1.php" target="_blank">About</a></h2> <h2 ><a href="player.html" target="_blank">Player</a></h2>
</div>
<div class="draggable" id="resize" style="top:90%;left:0%;width: 500px;">
<div class="tooltip-wrap" style="text-decoration:underline;"> <img src="texts/thesis/carson-list.jpg" style="width: 100%"></img><div class="tooltip-content-right" ><div>this is how female/high-pitched voices have been described since acient times as Anne Carson observes</div></div></div>
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<div class="draggable" style="top: 800px; right: 0px;">
<h2 ><a href="podcast1.php" target="_blank">About</a></h2>
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<div class="draggable" style="top:81%;left:0%;"> <div class="draggable" style="top: 700px; right: 0px;">
<h2 style="text-align: left !important;"><a href="podcast1.php" target="_blank">Podcasts</a></h2> <h2 ><a href="podcast1.php" target="_blank">Podcasts</a></h2>
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<div class="draggable" style="top:14%;left:0%;">
<h2 style="text-align: left !important;"><a href="texts/thesis/thesis-angeliki.html" target="_blank">Let' s Talk About Unspeakable Things</a></h2>
<div class="drag-content">Thesis</div>
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<div class="draggable" id="resize" style="top:47%;left:0%;">
<h2 style="text-align: left !important;"><a href="amplification.html" target="_blank">Amplification of female voices</a></h2>
<div class="drag-content">How can we engage politically with the exclusion of specific voices from the public sphere? Here I document my attempts to create a safe common space of trying methods and discussing that topic in Leeszaal, an open library that I consider a diverse public space. I am borrowing methods from feminist groups and protest movements and vocal warming up exercises by Pauline Oliveros. For example, protesters would amplify the speaker's voice by repeating collectively their speech to make their presence visible. Feminists would create safe spaces where women could speak about domestic violence and make a dialogue based on listening. Some methods are vocal performances in situ, the "human microphone", speech acts, listening practices, making podcasts, mediating speech, transform our voices, situated experiments. I am doing that together with Christina Karagianni, who is also from Greece and with whom I share similar experiences of silencing. We combine our practices -her practice lies on choreography and dance and mine on social interaction, voice and sound- and try vocal exercises and reading in moments of Leeszaal.<div class="tooltip-wrap" style="display: inline;text-decoration:underline;">We invite <div class="tooltip-content-right" ><div>how we should approch the gender terminology and false association with voice when inviting people? Should it be about femme sounding? Female voice? </div></div></div>people from Leeszaal and our environment, who find themselves related and interested to this topic. Elements from the meetings: discuss previous material, reading extracts in random order, <div class="tooltip-wrap" style="display: inline;text-decoration:underline;">discuss <div class="tooltip-content-right" ><div>what conflicts or frictions the technical aspect provokes? web-audio, recordings</div></div></div>personal associations and experiences with voice in public, warm up, say a sentence of personal experience in any language, transcribe only the vowels, read back the vowels, read outloud all together the score of vowels, repeat sentences with distorted voice, make podcasts.</div>
</div>
<div class="draggable" style="top:36%;left:0%;">
<h2 style="text-align: left !important;"><a href="" target="_blank">Diary of West Rotterdam</a></h2>
<div class="drag-content"><p>I recorded sounds from West Rotterdam, while walking around a neighborhood for several days. This action was part of my first experiments when I was in attempt to understand how gender binaries regarding voice are reflected in space, especially public space.
</p>
<div class="row"><div class="column" style="padding-right: 0px;"><img width="100px" src="images/soundwalk-photo1.jpg" /></div><div class="column"><img width="100px" src="images/soundwalk-photo3.jpg" /></div></div></div>
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<div class="draggable" style="top:1%;left:0%;">
<h2 style="text-align: left !important;"><a href="player.html" target="_blank">player</a></h2>
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<div class="draggable">
<li id="angela" style="list-style: none;">
<a href="#" >Angela Davis @Occupy Wall Street</a>
</li>
<li style="list-style: none;">
<a class="internet" href="https://www.youtube.com/watch?v=JVpoOdz1AKQ&feature=youtu.be" target="popup" onclick="window.open('https://www.youtube.com/watch?v=JVpoOdz1AKQ&feature=youtu.be','popup','width=600,height=600'); return false;">Judith Butler @Occupy Wall Street</a>
</li>
<li style="list-style: none;">
<a class="internet" href="https://www.youtube.com/watch?v=SirOxIeuNDE" target="popup" onclick="window.open('https://www.youtube.com/watch?v=SirOxIeuNDE','popup','width=600,height=600'); return false;">Laurie Anderson - Mach 20</a>
</li>
<li style="list-style: none;">
<a class="internet" href="https://www.thisamericanlife.org/667/wartime-radio" target="popup" onclick="window.open('https://www.thisamericanlife.org/667/wartime-radio','popup','width=600,height=600'); return false;">Ballout, D. (2019) Good Morning, Kafranbel, This American Life: Wartime Radio</a>
</li>
<li style="list-style: none;">
<a class="internet" href="https://www.youtube.com/watch?v=TY96Ma6YdtQ" target="popup" onclick="window.open('https://www.youtube.com/watch?v=TY96Ma6YdtQ','popup','width=600,height=600'); return false;">Vocal performance of Katalin Ladik in the film Berberian Sound Studio, 2012</a>
</li>
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</body> </body>

@ -4,7 +4,10 @@
<meta name="viewport" content="width=device-width, initial-scale=1"> <meta name="viewport" content="width=device-width, initial-scale=1">
<script src="https://ajax.googleapis.com/ajax/libs/jquery/3.4.0/jquery.min.js"></script> <script src="https://ajax.googleapis.com/ajax/libs/jquery/3.4.0/jquery.min.js"></script>
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<body> <body>
@ -16,13 +19,34 @@
<a href="podcast4.php">Podcast4 </a> <a href="podcast4.php">Podcast4 </a>
</div> </div>
<br><br>
<h3> <h3 id="box-title" style="width: 200px; left: 45%; position: absolute;">
"Mediating speech" "Mediating speech"
</h3> </h3>
This podcast is a series of episodes of moments of an online audio archive overlayered by my voice as a narrator. <!-- draggable menu-->
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<h2><a href="amplification.html" target="_blank">Amplification of female voices</a></h2>
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<h2 ><a href="" target="_blank">Diary of West Rotterdam</a></h2>
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<h2 ><a href="player.html" target="_blank">Player</a></h2>
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<h2 ><a href="podcast1.php" target="_blank">About</a></h2>
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<h2 ><a href="podcast1.php" target="_blank">Podcasts</a></h2>
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<h2 ><a href="texts/thesis/thesis-angeliki.html" target="_blank">Let' s Talk About Unspeakable Things</a></h2>
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<br><br><br><br><br><br>
<table><tr> <table><tr>
<?php <?php
$files = glob("podcasts/podcast1/*.mp3"); $files = glob("podcasts/podcast1/*.mp3");

@ -1,5 +1,5 @@
body { body {
background-color: #F6F5F5; font-family: "Old Standard TT"; font-size: 20px; line-height: 1; letter-spacing: 1px;} background-color: #F6F5F5; font-family: "Old Standard TT"; font-size: 20px; line-height: 1.2; letter-spacing: 1px;}
section {margin-bottom: 50px;margin-top: 20px;} section {margin-bottom: 50px;margin-top: 20px;}
a {font-weight: normal; text-decoration: none; } a {font-weight: normal; text-decoration: none; }
@ -21,7 +21,7 @@ a {font-weight: normal; text-decoration: none; }
h2 { h2 {
text-align: center; text-align: center;
letter-spacing: 4px; letter-spacing: 4px;
font-size: 28px;} font-size: 22px;}
h3{ h3{
font-size: 20px; font-size: 20px;
@ -475,8 +475,6 @@ cursor: pointer;
} }
.draggable { .draggable {
width: 400px;
padding: 0.8em;
box-shadow: 5px 5px 10px rgba(0,0,0,.2); box-shadow: 5px 5px 10px rgba(0,0,0,.2);
background-color: rgba(255, 255, 255, 1) ; background-color: rgba(255, 255, 255, 1) ;
/* border:1px; /* border:1px;
@ -484,14 +482,19 @@ cursor: pointer;
border-color:black;*/ border-color:black;*/
cursor: all-scroll; cursor: all-scroll;
position: absolute !important; position: absolute !important;
width: 300px;
} }
#img {
line-height: 0 !important;
}
.drag-content { .drag-content {
font-size: 22px; font-size: 16px;
/*float: right;*/ /*float: right;*/
font-weight: normal !important; font-weight: normal !important;
padding: 0.8em;
} }
@ -499,4 +502,8 @@ cursor: pointer;
display: none; display: none;
} }
#box-title {
border:1px solid; background-color: white; padding: 10px; position: absolute;
}

@ -1,5 +1,6 @@
# Title # Title
Let's amplify unspeakable things (overlayered utterances)
Podcast Utterances/ Podcast Utterances/
podcasting utterances/ podcasting utterances/
episodes of utterances/ episodes of utterances/

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