eaiaiaiaoi/project/proposal.md

# Project

Personal questions:
Why people would care about this vocal presence/representation in public spaces? Because they want to talk about how they imagine the world around them, what experiences they have.


## Titles

Network utterance- Overflowed emotions

Occupy your stream

Screaming streaming

Storage or presence (from chronopoetics) - this is the binary I am dealing with

A social dreaming/ a social screaming

## Topics
Amplification of the female voice (collective voice)
The mystification of the female voice/ the "annoying" noise
..Constructing understanding your own tools (streaming devices and apps) and access to the medium that amplifies the voice (privitization of medium, patriarchal structure)
Being present in the political spheres
An intervention in public with less medium
A guide on voice in public (the theoretical aspect of public space--the conceptual sphere)
A guide on amplification. Relation of social and spatial
Privacy


## Amplification
https://en.m.wikipedia.org/wiki/Amplification
human microphone
cars together playing the same frequency
max neuhaus people broadcasting different frequencies that compose a piece.
Amplification through multitude (decentralized)
The female collective voice (thrinos)

## Methods
Methods of streaming: pi streaming, buffer file, baby phone
Radio utterances in public
Medidate with the voice of the frequencies like women in thrinos

Reading rooms
Reading with a medium and different practices of presence

Discussion groups

Fediverse multiplication

practices of geting "loud" and present--

listening to frequencies of malls-- issue of private and public

amplification in abandoned public spaces, recording down where voice is appeared

create a radio station inside leeszaal and broadcast field recordings and conversations/ inside and outside

leeszaal/ create group conversations or silent ones
Amplification live streaming

The connection of the public physical amplification with digital, meeting the binaries (public, private, high-pitched, low pitched)

..Workshop: An utterance of mediated voices/ streamed and broadcasted depending on the time they are made/ sometimes they will sychronize

mouffe: "critical artistic practices subverting the dominant hegemony" different voices, infrastructures

Amplification and high-pitched voice outside of leeszaal

create a poetic (audio) narrative emerging from the actual "real" contribution of people.

include the aspect of the Caliban and the witch

Qustumize your own streaming/digital space

 using the questions from my question structure of 2015/ for space and medium


    hackthon: where you ask the participants to explore a subject, through the development of a prototypes, from give a starting point.
    workshop: where you bring in a certain technology/prototype/... and ask others to develop or explore it. More focused on a approach and see what that approach can lead to
    (book) sprints: where the group writes collaboratively a manual / research text / book / and produces a wbesite/pdf/...
    test session: where a given procedure/methods is tested on the participants and at the end feedback is given
    ...others or combinations of these



 *Questions
 What medium represents you? And how you do it?*


## Refs
- Mohammed Malique. Bodega hni. Mijn stad is Mijn hart https://www.vpro.nl/programmas/tegenlicht/kijk/afleveringen/2018-2019/mijn-stad-is-mijn-hart.html

- Nazi soundscapes. Birdsall

- Amplification of female voice women in Red writing articles in Wikipedia https://en.wikipedia.org/wiki/Women_in_Red

- http://networkcultures.org/geert/2018/12/04/bridging-the-gap-between-technology-and-progressive-politics-in-europe/
"media activists who are increasingly becoming cosmopolitan and detached from local communities and struggles." leeszaal
Media theorist Geert Lovink is apparently missing out on what is happening here amongst other places when he writes: "The Social Media Question: Where are the Alternatives?" poking at a broadly defined "geek class" and applying the term elitism to it. I have never met him and i believe he's well known.

- Queering damage


## Diary notes
Poetics, the poetics of the medium, the poetics of the voice being metiated
Future: leaving the social sphere and the self, after the practice has been clear. Thinking of the condition of the medium, the device, the software, the technology/ the landscape of it, the low-tech, the abandonence. Metaphor of the human loneliness. Lonileness, how I experience it, and the connection with an object. The idea of it. Detachement of myself and the responsibilty of it.



## Bibliography
- Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142.
- Barad, K. (2018) ‘Troubling time/s and ecologies of nothingness: re-turning, re-membering, and facing the incalculable’, new formations: a journal of culture/theory/politics, 92(1), pp. 56–86.
- Beard, M. (2017) Women & Power: A Manifesto. 1 edition. New York: Liveright.
- 667: Wartime Radio (2019) This American Life. Available at: https://www.thisamericanlife.org/667/transcript (Accessed: 5 February 2019).