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144 lines
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144 lines
15 KiB
HTML
5 years ago
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<title>tender_reading_meeting</title>
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<body>
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<strong><u>@@Leeszaal meeting@@</u></strong><br><br>W A R M U P Y O U R V O I C E<br><a href="https://pad.xpub.nl/p/tender_reading_meeting">https://pad.xpub.nl/p/tender_reading_meeting</a><br><br><strong>People</strong><br>Invite women and men? only women? ask friends (Clara, Cristina, Alice), random?<br>Make public the audio streaming at that day<br><br><strong>Titles</strong><br><ul class="bullet"><li><ul class="bullet"><li>Attune to the streaming</li><li>Get into the flow</ul></li></ul><br><br><strong>Topics</strong><br>Topics we want to talk about<br><ul class="bullet"><li><ul class="bullet"><li>Inclusion/exclusion of public/private spaces/sphere (kratos, society) (f.e. fear of being present in public till late, fear of talking about politics). What spaces are these? Qhat sounds and what quality they have?</li><li>Quitness, enforsed silence, interruption in dialogue</li><li>Public speech (horizontal ways of speaking in public)--the nakedness of voice</li><li>Modes of adress that sounds bad for the society like the sounds of protest. Hidden dark narratives of society, mourning, annoyance, "thrinos"</li><li>Words for how this female sound sounds like/judgments from ancient mythologies to todays assumptions (the Monstrosity…). Labels</ul></li></ul><br><br><strong>Reader</strong><br>Ask the participants to propose extracts from texts<br><ul class="bullet"><li><ul class="bullet"><li>Carson, A. (1996) ‘The Gender of Sound’, in Glass, Irony and God. First Edition edition. New York: New Directions, pp. 119–142. <strong>pages: 135(two mouths), (ololyga), 128 (Bell)</strong></li><li>Beard, M. (2017) Women & Power: A Manifesto. 1 edition. New York: Liveright.</li><li><em>667: Wartime Radio</em> (2019) <em>This American Life</em>. Available at: <a href="https://www.thisamericanlife.org/667/transcript">https://www.thisamericanlife.org/667/transcript</a> (Accessed: 5 February 2019). <a href="http://mixlr.com/radiofreshsyria/">http://mixlr.com/radiofreshsyria/</a> (from: "This was bold, because almost no women in the village worked outside the home. They took care of (...) Nusra considered their voices shameful, a form of nakedness" to: "... Assad or the extremists, they barely held any ground.") <strong>pdf pages: 20-23</strong></li><li>Barad, K. (2018) ‘Troubling time/s and ecologies of nothingness: re-turning, re-membering, and facing the incalculable’, <em>new formations: a journal of culture/theory/politics</em>, 92(1), pp. 56–86. <strong>keywords: cry, mourning, yell, silence. pages: 64, 67, 74-76, 83,...</strong></li><li><em>Realising Sara Ahmed’s ‘feminist snap’: Voices, embodiment, affectivity | ephemera</em> (no date). Available at: <a href="http://www.ephemerajournal.org/contribution/realising-sara-ahmed%E2%80%99s-%E2%80%98feminist-snap%E2%80%99-voices-embodiment-affectivity">http://www.ephemerajournal.org/contribution/realising-sara-ahmed%E2%80%99s-%E2%80%98feminist-snap%E2%80%99-voices-embodiment-affectivity</a> (Accessed: 16 February 2019).</li><li> <a href="https://schloss-post.com/re-transcribing-composition-two-transcriptionsode-to-schoenberg/">https://schloss-post.com/re-transcribing-composition-two-transcriptionsode-to-schoenberg/</a></li><li><a href="https://www.theguardian.com/world/2013/may/29/nine-lessons-suffragettes-feminists">https://www.theguardian.com/world/2013/may/29/nine-lessons-suffragettes-feminists</a> (<strong>Find your voice, and use it</strong>)</li><li><a href="h
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